PaulDalex
Dilettante artist
This is where the AF came handy to me. I think it was 2002.
I needed a selfportrait for my (NONPHOTOGRAPHIC) site.
I used the Maxxum 9 with 100 2,8 on tripod. I sat in front of it after framing carefully, the remote in my hand. NO SELFTIMER.
The selftimer make me nervous and prevent a relaxed expression
Behind me was a pillar which I covered with a white beach towel.
I set the on camera flash compensation at about -2.
Each time I shoot I pressed the remote halfway and I asked my significant other to advise me as soon as she could see a bright red square in the eyepiece, meaning that the AF had focused, and then pressed all the way.
No retouch in PS (except for dust). Cropping yes of course because of the design of the html page. To the horror of the purists of RFF I made a background redo using a painting of a stormy sea.
(there is another redo actually: because I have artrosys everywhere and particularly at my neck, which must be always warm, I had the collar of the aloha shirt substituted with a higher one)
I needed a selfportrait for my (NONPHOTOGRAPHIC) site.
I used the Maxxum 9 with 100 2,8 on tripod. I sat in front of it after framing carefully, the remote in my hand. NO SELFTIMER.
The selftimer make me nervous and prevent a relaxed expression
Behind me was a pillar which I covered with a white beach towel.
I set the on camera flash compensation at about -2.
Each time I shoot I pressed the remote halfway and I asked my significant other to advise me as soon as she could see a bright red square in the eyepiece, meaning that the AF had focused, and then pressed all the way.
No retouch in PS (except for dust). Cropping yes of course because of the design of the html page. To the horror of the purists of RFF I made a background redo using a painting of a stormy sea.
(there is another redo actually: because I have artrosys everywhere and particularly at my neck, which must be always warm, I had the collar of the aloha shirt substituted with a higher one)
