Micah
Newbie
http://lens.blogs.nytimes.com/2013/06/20/henri-cartier-bresson-living-and-looking/?hp
"The most difficult thing for me is not street photography. It’s a portrait."
"[My] best pictures were in that book, 'The Decisive Moment.' I took them when I was 20. Immediately, after a fortnight. The first day I started pictures. It’s in that book. That’s why teaching and learning is nothing. It’s living and looking. All these photography schools are a gimmick. What are they teaching? Could you teach me how to walk?"
"I don’t know if photography is an art or not an art. I have no idea of all this."
Tomorrow the NYTimes presents the second half of the interview, "in which Mr. Cartier-Bresson discusses his distaste for color photography and the liberties taken by Robert Capa in bookkeeping in the early Magnum days."
A DVD of the Cartier-Bresson interview, with his photos, is available from the International Center of Photography’s online bookstore.
"The most difficult thing for me is not street photography. It’s a portrait."
"[My] best pictures were in that book, 'The Decisive Moment.' I took them when I was 20. Immediately, after a fortnight. The first day I started pictures. It’s in that book. That’s why teaching and learning is nothing. It’s living and looking. All these photography schools are a gimmick. What are they teaching? Could you teach me how to walk?"
"I don’t know if photography is an art or not an art. I have no idea of all this."
Tomorrow the NYTimes presents the second half of the interview, "in which Mr. Cartier-Bresson discusses his distaste for color photography and the liberties taken by Robert Capa in bookkeeping in the early Magnum days."
A DVD of the Cartier-Bresson interview, with his photos, is available from the International Center of Photography’s online bookstore.