Another, one that bits the dust. It is kind of neat the way the color IR cuts through the haze and give a clear shot forever. I wish that blog would do an article on Verichrome by Kodak or/and Selochrome by Ilford, this was box camera film with two layers of emulsion that had such a tonal range under as it seemed any lighting. Boy, I wish one of those people like Arista would make again.
Kodak CIR is great stuff. Year's back, I sent countless hours in a plane putting hundreds of feet of 70mm CIR through a Rollei 6003. Here's on shot taken in someplace in northern Michigan back in 2000 or so. BTW, all those colors mean something. You can easily identify northern hardwood trees by their IR signature.
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