JoeV
Thin Air, Bright Sun
First, I care little for shallow DOF as a gimmick effect. Most of the famous small-format images made in the 20th century used as wide of DOF as the photographer could manage; that's why all those manual focus lenses had DOF scales on them, for maximizing the DOF.
That said, I've discovered from shooting m4/3 these last six years that I really prefer the 4:3 aspect ratio over the wider, shorter 3:2 of APSC and 135 formats. Especially for shooting mixed subject matter in public, often to get a subject full height in the image means pulling back and getting too much of the surrounding landscape, if shooting in 3:2.
I realized just recently that my Bronica ETRS 645 format camera was also 4:3 aspect ratio, a camera I love using.
And of course, if I crop an APSC camera image to 4:3, the effective sensor size begins to approach that of m4:3 anyway. Same if cropping either format to 1:1. The two sensors are very similar in height, with APSC being wider.
Yea, if 3:2 images were that important to me, I'd consider changing formats, but I just don't compose that way, it seems too panorama-like.
~Joe
That said, I've discovered from shooting m4/3 these last six years that I really prefer the 4:3 aspect ratio over the wider, shorter 3:2 of APSC and 135 formats. Especially for shooting mixed subject matter in public, often to get a subject full height in the image means pulling back and getting too much of the surrounding landscape, if shooting in 3:2.
I realized just recently that my Bronica ETRS 645 format camera was also 4:3 aspect ratio, a camera I love using.
And of course, if I crop an APSC camera image to 4:3, the effective sensor size begins to approach that of m4:3 anyway. Same if cropping either format to 1:1. The two sensors are very similar in height, with APSC being wider.
Yea, if 3:2 images were that important to me, I'd consider changing formats, but I just don't compose that way, it seems too panorama-like.
~Joe