Krosya
Konicaze
Great photos here! Here is one more from Weltur:

momus1
Established
FallisPhoto
Veteran
Retina IIa, with Schneider Xenon lens:
Retina II with Xenar lens on expired Kodak Gold film:
Yashica GTN, with Yashinon lens (nudity):
http://www.rangefinderforum.com/photopost/showphoto.php?photo=75138&ppuser=14445

Retina II with Xenar lens on expired Kodak Gold film:

Yashica GTN, with Yashinon lens (nudity):
http://www.rangefinderforum.com/photopost/showphoto.php?photo=75138&ppuser=14445
Eric T
Well-known
Two cropped images taken with an Iskra 2 with Fujichrome Velvia 50 can be seen here:
http://www.flickr.com/photos/7365105@N05/sets/72157617314551255/
Note the detail on the head of the peacock. The resolution I get from the Iskra 2 vastly exceeds my results from a Moskva 5 (not shown on Flickr site).
http://www.flickr.com/photos/7365105@N05/sets/72157617314551255/
Note the detail on the head of the peacock. The resolution I get from the Iskra 2 vastly exceeds my results from a Moskva 5 (not shown on Flickr site).
scottyb70
Well-known
I don't know about you guys, but don't these images have some type of cool resoultion or depth to them that sets them apart from DSLR cameras. They seem so life-like to me and almost 3D. I am going to be getting some ektar back from walmart that was taken with my Suzuki Press Van Camera. Will post.
MaxElmar
Well-known
"Mess Baldix" - OEM Balda similar to a Hapo 66 - 75/3.5 Ennagon w/uncoupled RF....
It won't make me forget my Rolleicord, but it's really a nice, light little camera.

It won't make me forget my Rolleicord, but it's really a nice, light little camera.
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T
Todd.Hanz
Guest
from a Zeiss Super Ikonta 530/16 with a Tessar 80/2.8
Todd

Todd
Solinar
Analog Preferred
Agfa Record III 6x9
Agfa Record III 6x9
Yep, it's a different look - which does seem to have more depth even at infinity.
Agfa Record III 6x9
I don't know about you guys, but don't these images have some type of cool resoultion or depth to them that sets them apart from DSLR cameras. They seem so life-like to me and almost 3D. I am going to be getting some ektar back from walmart that was taken with my Suzuki Press Van Camera. Will post.
Yep, it's a different look - which does seem to have more depth even at infinity.

Mackinaw
Think Different
Mamiya 6 folder:
Jim B.

Jim B.
charjohncarter
Veteran
Great, some fabulous images here. I think I like Petronius' (is that from William S.?) Agnar the best so far. My First Six is a lens with 'Issues' as they say, but I still like it.
steamer
Well-known

1934 Super Ikonta C (6x9) 10.5 cm f4.5 Tessar. Film was maybe Fuji superia 400
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steamer
Well-known

532 Super Ikonta A with f3.5 tessar and Velvia 100
Uwe_Nds
Chief Assistant Driver
Voigtländer Bessa ca. 1930ies:
Welta Solida 6x9:
Agfa Isolette with Agnar lens:
Cheers,
Uwe

Welta Solida 6x9:

Agfa Isolette with Agnar lens:

Cheers,
Uwe
ugly bokeh
Established
Moskva 2 Kodak Tri-x HC110

Ron (Netherlands)
Well-known
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532 Super Ikonta A with f3.5 tessar and Velvia 100
I guess a tessar could do better in terms of sharpness........or is this a large crop?
W
Way
Guest
Agfa Super Isolette



dazedgonebye
Veteran
Balda Baldax, FP4, 1/15th, f4(?)

steamer
Well-known
Ron and Chippy, I think the lens needs collimnation or there is a film flatness problem, it's such a great camera I might have to cough up the bucks and have it done.
Also the uncoated lens may be a little strange with Velvia slide film. As you know the Tessar is a very sharp sharp lens. You can see it in the previous giant Buddha photo I posted.
Still I sort of like the soft focus and weird colors in the cityscape.
Also the uncoated lens may be a little strange with Velvia slide film. As you know the Tessar is a very sharp sharp lens. You can see it in the previous giant Buddha photo I posted.
Still I sort of like the soft focus and weird colors in the cityscape.
malkmata
Well-known
More from my Zeiss Ikon Nettar with Novar 75mm f6.3 lens
This one was cropped a little.


This one was cropped a little.

FallisPhoto
Veteran
I don't know about you guys, but don't these images have some type of cool resoultion or depth to them that sets them apart from DSLR cameras. They seem so life-like to me and almost 3D. I am going to be getting some ektar back from walmart that was taken with my Suzuki Press Van Camera. Will post.
I think that is probably due to more precise focusing. Typically, rangefinders do better than SLRs and DSLRs with normal and wide angle lenses when it comes to focusing. Also, the lenses, being of a non-retrofocus design, tend to be a little sharper with normal focal lengths and a LOT sharper with wide angle lenses.
You see, an SLR has got to use retrofocus lenses (lenses that can focus an image past the mirror box); this requires more lens elements and puts them at an immediate disadvantage (more elements = less sharp).
Another reason rangefinders can do better, aside from not having to deal with the extra added elements of a retrofocus lens, have to do with the SLR's fudge factor and magnification. A rangefinder focuses precisely, due to the focusing system being based on triangulation instead of an SLR's "now it looks fuzzy and now it doesn't" focusing system. The thing is, with an SLR, there is a range of focus where the image looks sharp through the viewfinder; unfortunately, this means that just because the image looks sharp through the viewfinder, it doesn't necessarily mean the prints will look sharp (the focus can look sharp and still be a little off). This problem is exacerbated when you put a wide angle lens on an SLR, since the subject looks smaller. It becomes more difficult to focus sharply simply because you can't see it as well. A rangefinder doesn't have this problem.
SLRs and DSLRs only really come into their own when you put telephoto lenses on them. With a telephoto lens, the image is magnified enough that an SLR's "now it looks fuzzy and now it doesn't" system works pretty well. You get a closer look at the subject and can better judge the sharpness of the focus with a telephoto, while a rangefinder's triangulation focusing system requires a broader and broader baseline to be accurate at long ranges. Since there is no way of accomplishing this on a conventional rangefinder, eventually, with enough magnification and distance, an SLR's focusing system begins to work better than a rangefinder's.
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