msakamoto
Luddite-at-Large
OK, first off, I've been shooting since I was six, but I'm an amateur. I shoot maybe 20 rolls a year and I don't own a working digital camera. I am tech-geeky enough to talk shop about lenses and stocks but not enough to know what I'm talking about when it comes to chemistry and light spectrum analysis.
However, I am a successful artist who understands a variety of media from the inside out (dance, theater, installation, digital media, film, video, etc.). In other words, I have a very inclusive worldview. Which is why I don't (YET...) see the giganimous advantage for real-life, street, candid or documentary photography in rangefinders over SLR's.
My first real camera was a Canon Pellix SLR and a 50mm lens, which I used from age 14 to 22, when I dropped it in Florence, Italy while shopping on the Ponte Vecchio (don't tell my uncle who dragged that thing all the way back from 'Nam in 1969 and gave it to me a few years later). I then used a Cheap Vivitar SLR w/35-70 zoom. Then when I hungered for a non-crappy lens, I shot with a Rollei B35 w/40mm Zeiss lens (OK, only a Tessar, but I liked pretending I was a real German with it!). When my (ex-)wife broke that, I bought my first Nikon kit, an FE with 50 and 28 lenses. Now, I'm using a Contax G1 w/45mm, a Canonet G-III QL-17, and occasionally my Nikon.
So while I've never owned an M3 or an F5, let alone something made after 1996, I've pretty much had every basic SLR and rangefinder experience there is. Frankly, I don't know what everyone's complaining about.
I see the world plenty while shooting with my SLR. I just keep moving and pay attention to my surroundings. Like any longtime SLR shooter, I've developed my peripheral vision, not only with my real eyes, but with my mind's eye as well. You can do this with an SLR because you aren't using brainspace to worry too much about what the image will look like sa many rangefinders user have to.
I don't worry about AF or AE getting in the way since I'm a Luddite and do everything manually still (thank goodness I look younger than my years cuz I act like a cranky ol' geezer).
OK, so my SLR is heavier and larger than my Canonet or G1. But you know what? It's MUCH LIGHTER and NO BIGGER than my buddy's M3, which gave me a backache trudging around the sand in the last beach shoot.
Yes, his 51 year-old Leica will outlast both myself and my friend's parrot (i.e. forever), but my QL-17 will not (it's well made, but it did cost $25) and my G1 will not (cuz it's got all those electro doo-dads for young whippersnappers' delight that rangefinder afficionados constantly decry in modern SLRs). However, my FE and Nikkor lenses WILL probably still be clicking away after my arthritis has finally reduced me to being only able to operate my iPod 23.0 XG.
Yes, the thunk-thwack of my SLR made that young couple kissing on the park bench want to rip my throat out, but, frankly, they wanted to do that as soon as I pointed my camera at them, which by the way is black, which no one can see at night when I like to shoot with available light and fast film (yes, SLR's can do this too just fine under duress).
No, I can't see my "decisive moment" when the mirror clicks upwards. Can anyone say "the beauty of ambiguity"? I know you can, because otherwise you wouldn't be exposing random silver particles with old machines. You also know how to say it because I hear you say it everytime you talk about not needing to see through the lens but rather through a bright viewfinder that also shows you a couple feet of life around the frame and how much closer to the world this brings you than the WYSIWIG of SLR's. can anyone say "the ambiguity of hypocrisy"? (I'm not mudslinging, guys, just calling 'em like I see 'em).
Also, that Pellix SLR I learned on - it has a unique, semi-transparent mirror that DOESN'T flip up and black out the viewfinder when you shoot. In other words, it's the ultimate WYSIWIG film camera. (OK, now I GOTTA get it fixed...)
That said, I love rangefinders.
That said, I love SLR's.
That said, 'nuff said.
😕 🙂
However, I am a successful artist who understands a variety of media from the inside out (dance, theater, installation, digital media, film, video, etc.). In other words, I have a very inclusive worldview. Which is why I don't (YET...) see the giganimous advantage for real-life, street, candid or documentary photography in rangefinders over SLR's.
My first real camera was a Canon Pellix SLR and a 50mm lens, which I used from age 14 to 22, when I dropped it in Florence, Italy while shopping on the Ponte Vecchio (don't tell my uncle who dragged that thing all the way back from 'Nam in 1969 and gave it to me a few years later). I then used a Cheap Vivitar SLR w/35-70 zoom. Then when I hungered for a non-crappy lens, I shot with a Rollei B35 w/40mm Zeiss lens (OK, only a Tessar, but I liked pretending I was a real German with it!). When my (ex-)wife broke that, I bought my first Nikon kit, an FE with 50 and 28 lenses. Now, I'm using a Contax G1 w/45mm, a Canonet G-III QL-17, and occasionally my Nikon.
So while I've never owned an M3 or an F5, let alone something made after 1996, I've pretty much had every basic SLR and rangefinder experience there is. Frankly, I don't know what everyone's complaining about.
I see the world plenty while shooting with my SLR. I just keep moving and pay attention to my surroundings. Like any longtime SLR shooter, I've developed my peripheral vision, not only with my real eyes, but with my mind's eye as well. You can do this with an SLR because you aren't using brainspace to worry too much about what the image will look like sa many rangefinders user have to.
I don't worry about AF or AE getting in the way since I'm a Luddite and do everything manually still (thank goodness I look younger than my years cuz I act like a cranky ol' geezer).
OK, so my SLR is heavier and larger than my Canonet or G1. But you know what? It's MUCH LIGHTER and NO BIGGER than my buddy's M3, which gave me a backache trudging around the sand in the last beach shoot.
Yes, his 51 year-old Leica will outlast both myself and my friend's parrot (i.e. forever), but my QL-17 will not (it's well made, but it did cost $25) and my G1 will not (cuz it's got all those electro doo-dads for young whippersnappers' delight that rangefinder afficionados constantly decry in modern SLRs). However, my FE and Nikkor lenses WILL probably still be clicking away after my arthritis has finally reduced me to being only able to operate my iPod 23.0 XG.
Yes, the thunk-thwack of my SLR made that young couple kissing on the park bench want to rip my throat out, but, frankly, they wanted to do that as soon as I pointed my camera at them, which by the way is black, which no one can see at night when I like to shoot with available light and fast film (yes, SLR's can do this too just fine under duress).
No, I can't see my "decisive moment" when the mirror clicks upwards. Can anyone say "the beauty of ambiguity"? I know you can, because otherwise you wouldn't be exposing random silver particles with old machines. You also know how to say it because I hear you say it everytime you talk about not needing to see through the lens but rather through a bright viewfinder that also shows you a couple feet of life around the frame and how much closer to the world this brings you than the WYSIWIG of SLR's. can anyone say "the ambiguity of hypocrisy"? (I'm not mudslinging, guys, just calling 'em like I see 'em).
Also, that Pellix SLR I learned on - it has a unique, semi-transparent mirror that DOESN'T flip up and black out the viewfinder when you shoot. In other words, it's the ultimate WYSIWIG film camera. (OK, now I GOTTA get it fixed...)
That said, I love rangefinders.
That said, I love SLR's.
That said, 'nuff said.
😕 🙂