amateriat
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The thread concerning the Ralph Gibson Limited Edition Leica MP was interesting:
I like Ralph Gibson, and love his work.
I really like Leica M-mount cameras.
I don't really like the Ralph Gibson MP.
(This reminded me of when someone asked what I thought of the then-just-announced merger of Konica and Minolta: I said that it was like having two unattached close friends you love dearly, and truly believe derserve to be happily married...but not to each other.)
And so, this got me to thinking (okay, run for cover, but hear me out): if you got a shot at designing a Limited Edition MP (or M7, for that matter), what would you put in, and what would you leave out? And, what would motivate your changes?
Here's how a Barrett Benton Limited Edition Leica MP would be spec'd:
- UV-coated, triple-coat matte black enamel finish: durable, inconspicuous, attractive (in that order of importance);
- Four framelines only: 28, 35, 50, 90, individually actuated;
- Frameline preview lever retained, but reduced in size, modified shape;
- MP/M3-style film-wind lever (thanks, Ken Ford...forgot that one!);
- M7-style angled rewind lever: sorry, folks, function trumps "classicism" here for me...it's my party and I'll (re)wind like I want to!
- Black vulcanite, also UV coated, with finer grain than traditional;
- Black finish covers everything, including strap lugs and lens release button (might have to go to heavy black chrome for these); frame counter remains in bright-finish for legibility;
- No inscription on top plate: serial number would simply add "BB" suffix (for anyone who cared) - Gibson should've done this, IMO;
- Would be sold only with matching Leicavit trigger-wind (regular bottom plate included, of course);
- No standard strap included: prospective buyer would be offered choice from various sources within the Leica aftermarket community;
Limited edition of either 56 (I was born in 1956) or 42 (Douglas Adams fans will get the inference there);
- 10% of proceeds would go to a charitable/philanthropic organization of purchaser's choosing: if we're going to get silly with limited-edition stuff like this, at least we can give a tiny push in the direction of doing a bit o' worldly good (no excessive soapbox stuff, promise).
So, there you are. Given the nature of Leica's a la carte program, I don't see anything stopping someone with fairly deep pockets from waving sufficient funds in the collective face of the Solms gang and getting them to create a "limited edition" of one's own. Why couldn't RFf, for that matter, create a Limited Edition Leica of its own? Especially a Leica that appeals to serious users (which eventually translates to collectors, whether they currently realize it or not).
Whatever. Tell me what you'd build.
- Barrett
I like Ralph Gibson, and love his work.
I really like Leica M-mount cameras.
I don't really like the Ralph Gibson MP.
(This reminded me of when someone asked what I thought of the then-just-announced merger of Konica and Minolta: I said that it was like having two unattached close friends you love dearly, and truly believe derserve to be happily married...but not to each other.)
And so, this got me to thinking (okay, run for cover, but hear me out): if you got a shot at designing a Limited Edition MP (or M7, for that matter), what would you put in, and what would you leave out? And, what would motivate your changes?
Here's how a Barrett Benton Limited Edition Leica MP would be spec'd:
- UV-coated, triple-coat matte black enamel finish: durable, inconspicuous, attractive (in that order of importance);
- Four framelines only: 28, 35, 50, 90, individually actuated;
- Frameline preview lever retained, but reduced in size, modified shape;
- MP/M3-style film-wind lever (thanks, Ken Ford...forgot that one!);
- M7-style angled rewind lever: sorry, folks, function trumps "classicism" here for me...it's my party and I'll (re)wind like I want to!
- Black vulcanite, also UV coated, with finer grain than traditional;
- Black finish covers everything, including strap lugs and lens release button (might have to go to heavy black chrome for these); frame counter remains in bright-finish for legibility;
- No inscription on top plate: serial number would simply add "BB" suffix (for anyone who cared) - Gibson should've done this, IMO;
- Would be sold only with matching Leicavit trigger-wind (regular bottom plate included, of course);
- No standard strap included: prospective buyer would be offered choice from various sources within the Leica aftermarket community;
Limited edition of either 56 (I was born in 1956) or 42 (Douglas Adams fans will get the inference there);
- 10% of proceeds would go to a charitable/philanthropic organization of purchaser's choosing: if we're going to get silly with limited-edition stuff like this, at least we can give a tiny push in the direction of doing a bit o' worldly good (no excessive soapbox stuff, promise).
So, there you are. Given the nature of Leica's a la carte program, I don't see anything stopping someone with fairly deep pockets from waving sufficient funds in the collective face of the Solms gang and getting them to create a "limited edition" of one's own. Why couldn't RFf, for that matter, create a Limited Edition Leica of its own? Especially a Leica that appeals to serious users (which eventually translates to collectors, whether they currently realize it or not).
Whatever. Tell me what you'd build.
- Barrett
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