rbiemer
Unabashed Amateur
Folks,
I posted a photo in my gallery and after reading a comment about it, I'm wondering if I made the better choice in how I presented the shot?
I've attached two versions here. One is obviously the cropped version and the other is the full frame. In the cropped version, I also rotated the photo some as I wasn't sure about the tilt of the ceiling; which was what the comment was about, in fact.
Any suggestions? Feel free to play and repost this photo.
Thanks,
Rob
I posted a photo in my gallery and after reading a comment about it, I'm wondering if I made the better choice in how I presented the shot?
I've attached two versions here. One is obviously the cropped version and the other is the full frame. In the cropped version, I also rotated the photo some as I wasn't sure about the tilt of the ceiling; which was what the comment was about, in fact.
Any suggestions? Feel free to play and repost this photo.
Thanks,
Rob
Attachments
anhtu
Member
I think the straight ceiling works better Rob. It's a very unusual vantage point.
payasam
a.k.a. Mukul Dube
Michiel
Established
payasam
a.k.a. Mukul Dube
It seems we see in the same way, Michiel.
BJ Bignell
Je n'aurai plus peur
The uncropped photo has more content and context, because you can easily see the booths, which are unoccupied. The leather (or vinyl) also beautifully reflects the light. The original is more clearly a photograph of an empty space.
When the photograph is straightened and cropped, you lose the seating area, and it becomes a photograph of a ceiling and a television on a cart. In my opinion, the ceiling of this room has very little to tell the viewer, so the point of the photograph becomes unclear and somewhat uninteresting.
If you have the opportunity to visit this place again, and to see it in the same quiet state, I recommend that you try the first photo again, but straight this time. You could also try standing on a chair or short stool, and then pointing down slightly at the seats. I imagine that this is a diner, so there are probably tables in there, too? This viewpoint might amplify the emptiness of the space.
When the photograph is straightened and cropped, you lose the seating area, and it becomes a photograph of a ceiling and a television on a cart. In my opinion, the ceiling of this room has very little to tell the viewer, so the point of the photograph becomes unclear and somewhat uninteresting.
If you have the opportunity to visit this place again, and to see it in the same quiet state, I recommend that you try the first photo again, but straight this time. You could also try standing on a chair or short stool, and then pointing down slightly at the seats. I imagine that this is a diner, so there are probably tables in there, too? This viewpoint might amplify the emptiness of the space.
BJ Bignell
Je n'aurai plus peur
I also wanted to mention that I like the tones in this photograph. They are very smooth, and the dynamic range is really excellent. Great exposure!
rbiemer
Unabashed Amateur
Thanks, folks. Yeah, I didn't like the TV turned on and instead of just switching it off, I cropped it out. The tilt to the ceiling is real(but it was "helped" by my posture when I took this--I was tilted a little myself by then
) and the room itself is a back room of one of my local watering holes. The bar also has OTB(off track betting) so the bank of TVs are for having all the different horse tracks on when the punters are in full force. This was late and the tracks/OTB were done for the night and so, the usual crowd was either long gone or in the bar itself celebrating or commiserating as appropriate. Definitely a shot I couldn't do in color; the room is warm and inviting, usually.
foto_fool
Well-known
Michiel said:I have to say, the room with all that symmetry, all empty and bland freaks me out a bit...
Here's what my mind makes me see:
Interesting spin Michiel - whose reflection?
- John
rbiemer
Unabashed Amateur
BJ,
I was slowly typing my response to the other folks while you were posting. Didn't mean to ignore you. Most of the things you mention I will be able to re-do. I have seen this room like this lots. And I'll not be shy about just reaching up and turning the TV off. And take some shots of the room before I have any shots
. The thing that finally caught my eye were the TVs along the wall. And when I go to this bar, I almost always walk into the place by this room, so I should've "seen" this rather sooner than I did.
And thanks for the kind remarks about the tones and dynamic range! As usual, when I'm shooting at night or somewhere dark, if there are any other people around I get to hear, "Hey, pal. Your flash didn't work." I've mostly given up trying to explain about that.
Rob
I was slowly typing my response to the other folks while you were posting. Didn't mean to ignore you. Most of the things you mention I will be able to re-do. I have seen this room like this lots. And I'll not be shy about just reaching up and turning the TV off. And take some shots of the room before I have any shots
And thanks for the kind remarks about the tones and dynamic range! As usual, when I'm shooting at night or somewhere dark, if there are any other people around I get to hear, "Hey, pal. Your flash didn't work." I've mostly given up trying to explain about that.
Rob
shadowfox
Darkroom printing lives
I like the full frame much better. The tilt adds to the composition as well as the only lit TV (the others are silent). I also like the detail on the booth seat and the two lamps.
The cropped version does nothing, there is nothing left that caught my eyes.
Michiel: It took me a while, but that's just creeepy!!!!
The cropped version does nothing, there is nothing left that caught my eyes.
Michiel: It took me a while, but that's just creeepy!!!!
rbiemer
Unabashed Amateur
Now that's a lot creepier than my original!Michiel said:I have to say, the room with all that symmetry, all empty and bland freaks me out a bit...
Here's what my mind makes me see:
I'm still not sure about the lit TV; it seems a distraction to me.shadowfox said:I like the full frame much better. The tilt adds to the composition as well as the only lit TV (the others are silent). I also like the detail on the booth seat and the two lamps.
The cropped version does nothing, there is nothing left that caught my eyes.
I was back to the bar again yesterday and only had a P&S camera with me(color film in it) so I shot some other stuff there.
I'll be shooting this again and trying the various suggestions.
Rob
dostacos
Dan
what he saysMichiel said:IM very HO the TV that's turned on in the full frame distracts from the lines that make the photograph (the crop) interesting.
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