I like how you compose, but whats with the blown highlights & high contrast?
I guess if that's the look your going for, sure. If not I'd spend some more time tweaking your scanning or other post-processing work.
If you cant save them with digital work or have a very hard time of it things go in a few directions at once.
You sound new to this, which is cool.
The biggest noob mistake is a lack of darkroom consistency. IMO there is really no point in even owning a light meter if you aren't consisntent in the darkroom. BANG! Its that important. Since you have a light meter in the FM2n (that camera is so good its like a gift from nikongod) you might as well make the most of it in the darkroom.
The right tools make work better.
Start with how you mix chemicals. You should fill your graduates more than 1/2 full to measure. None of that trying to measuring 1oz with a 32oz graduate (ask me how I know that this is a bad idea.) Buy a 1.5oz graduate if you need to measure 1oz. You can of course buy graduates as you need them - there is no need to own a whole set from 1oz to 1gallon if you only ever use the 2oz and 32oz sizes.
Once you are consistent with how you mix your chemicals their temperature is very important. 1*F matters. Try to keep everything within 1*F of whatever temperature you settle on and keep all of that exactly the same from session to session. You should try to get the temperature of all liquids exactly the same - developer, stop bath (if used), all rinse water, and fixer. This is not easy, but nothing worth doing is really easy and the results are SO worth the trouble.
If you think you need a nice thermometer, your right! Buy 2 and note how they read so your not totally screwed when you break one.
My temperature control suggestion is easily the hardest part of this. if you can't actually make 1*f consistency happen don't let it stop you. This is a really hard goal to achieve. I don't even make it happen. BUT I know that its important and I'm always trying to do my best. Knowing that you should do something a certain way and doing your best even though you cant achieve actual perfection is MUCH better than the general attitude of souping film in fukitol at who knows what temperature rinsing with tap water that varies over 20* and fixer at who knows what temp followed by another rise.
It has taken me years of ignoring better darkroomers than me to figure the bit about temperature control out for myself.
After you have chemical mixing and temperature under control its time to talk about time. When you start your timer relative to when you pour chemicals into the tank, and when you empty the tank relative to when the timer stops both matter. Do it the same way every time. Try to pour your chemicals into and out of the tank the same way every time.
Now that we are here, the times listed for your developer & film may not give the results YOU want! Feel free to adjust them. As long as you are consistent and methodical I think you will do quite well.
If you still have highlight and contrast issues once you are consistent in the darkroom reduce development time bit by bit until your contrast and highlights are under control. You *could* underexpose in the camera to fix the highlights but this would not fix the contrast issue.
