amateriat
We're all light!
From today's New York Times Magazine:
http://tinyurl.com/2l2hdh
I'm still scratching my head about this one, but have to admit the guy is fascinating.
- Barrett
http://tinyurl.com/2l2hdh
I'm still scratching my head about this one, but have to admit the guy is fascinating.
- Barrett
FrankS
Registered User
That's a lot of verbage!
popstar
Well-known
I agree with you each. He is interesting, but it is a fairly long article. Thanks for the link Barrett.
Fascinating! And I feel some kinship with Wall, as we're of the same generation and seem to share some background, environment (Vancouver vs Seattle) and attitudes. He works very differently than I, but based on the article I think I'd enjoy his work.
I found myself slowing down and reading the article more intently as it became ever clearer that it had very personal relevance. Thanks for bringing it up, Barrett!
I found myself slowing down and reading the article more intently as it became ever clearer that it had very personal relevance. Thanks for bringing it up, Barrett!
colinh
Well-known
Is it street photography, if you can't set up your tripod where you want and so spend 6 months recreating the street in your studio?
You know, it had never occurred to me to ask that question before.
colin
You know, it had never occurred to me to ask that question before.
colin
FrankS
Registered User
It sounds like he was independently wealthy to begin with.
Jamie123
Veteran
I really like Wall. One of my favourites!
RayPA
Ignore It (It'll go away)
That is a lot of text! It's a good read so far. However, I scrolled quickly to the bottom and saw the link to Iggy. I couldn't resist, so I went there and read that article instead, but I wanted to thank you for posting the link. 
.
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shenkerian
Established
The photos for that article are by Justine Kurland, an artist whose work happens to be profiled in the same edition:
http://www.nytimes.com/2007/02/25/arts/design/25kino.html
Alec Soth brought it up today when talking about his thoughts on art photographers doing editorial photography.
http://www.nytimes.com/2007/02/25/arts/design/25kino.html
Alec Soth brought it up today when talking about his thoughts on art photographers doing editorial photography.
morgan
Well-known
I thought it was a very interesting article. While I'm not very familiar with his work, I plan on heading to the MoMA to see the show. The presentation and size of each piece alone merit a visit I think. He ends up printing huge and using a giant lightbox behind each. Sounds pretty interesting. I don't think he's doing street photography necessarily, but perhaps the next evolution of it. It's very deliberate, but yet still seems to capture a fleeting moment. That shot with the papers flying in the wind is spectacular.
shg005
Established
amateriat said:I'm still scratching my head about this one, but have to admit the guy is fascinating.
A lot of words, but nothing realy interesting for me.
amateriat
We're all light!
Ah, yes, Iggy and the Stooges. Interesting article as well, and the Times video was a hoot.RayPA said:That is a lot of text! It's a good read so far. However, I scrolled quickly to the bottom and saw the link to Iggy. I couldn't resist, so I went there and read that article instead, but I wanted to thank you for posting the link.
.
- Barrett
amateriat
We're all light!
I love that one as well, and it's interesting how that work, among the works mentioned and shown in the article, appears to have the most digital jiggery-pokery involved in it. As much as I'm the proverbial "straight shooter" with my own work (indulging in occasionally-weird in-camera trickery once in the proverbial blue moon), I admire those who manage to expand the photographic vocabulary in an interesting way, and I think Wall does this. I'm looking forward to seeing the work in-person.morgan said:I thought it was a very interesting article. While I'm not very familiar with his work, I plan on heading to the MoMA to see the show. The presentation and size of each piece alone merit a visit I think. He ends up printing huge and using a giant lightbox behind each. Sounds pretty interesting. I don't think he's doing street photography necessarily, but perhaps the next evolution of it. It's very deliberate, but yet still seems to capture a fleeting moment. That shot with the papers flying in the wind is spectacular.
- Barrett
aizan
Veteran
not street photography squared, but street photography to the negative one.
tblanston
Member
Wow. I like that quote at the end where he compares himself to an honest street photographer and proclaims that there is little difference between fabricating a photograph with paid actors and capturing a real moment by observing and reacting.
And, I would expect that since he has all the time in the world to fashion an image to his exact desire, they would be a little more interesting. I found the photography presented at the link all very boring. It is the authenticity and honesty that draws me to street photography. This approach, apparently turns me totally disinterested.
Looks like I'm the only one that feels this way? Maybe I am missing something... What about this work do you find appealing?
And, I would expect that since he has all the time in the world to fashion an image to his exact desire, they would be a little more interesting. I found the photography presented at the link all very boring. It is the authenticity and honesty that draws me to street photography. This approach, apparently turns me totally disinterested.
Looks like I'm the only one that feels this way? Maybe I am missing something... What about this work do you find appealing?
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aizan
Veteran
a similar artist that may be more to your liking is joel sternfeld. he doesn't set things up, use lights cinematically, or pay so much "homage" to paintings, though he does take a distanced, god's eye view to the scene.
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