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Dad Photographer
The Nikkor will be hard to replace if I lose it. I will have the 35 Lux on the M9. They pair up very well.
I have never done a side by side comparison
and a single M mount copy that I know of), there is the 35/1.8 Millenium, with different glass and coatings.
This is strange to think of having a lens stolen of lost during a nice trip you're preparing. If you push it a little bit forward, you'll end up with travelling with a disposable film camera and a smartphone.The Nikkor will be hard to replace if I lose it. I will have the 35 Lux on the M9. They pair up very well.
A couple of observations after recently shooting both of these lenses (LTM W-Nikkor and late s/n Wetzlar Summilux) on film:
* the W-Nikkor has field curvature with the plane of sharpness curving backward from the center of the image toward the corners whereas the Summilux seems to have a very flat plane of focus. I guess this field curvature is what causes the W-Nikkor's swirly bokeh (which I quite like).
* the W-Nikkor has minor barrel distortion whereas the Summilux has none. Incredible that the Summilux is so well corrected for plane of focus and distortion in such a small package.
* both lenses I tested have very good corner sharpness, the W-Nikkor by f5.6 and the Summilux by f4.
* both have "glow" from wide open down to a bit past f/2. The Summilux clears up about 1/3 to 1/2 a stop ahead of the W-Nikkor which is to be expected because it's at least that much faster.
Which one to take on a trip? They're both great performers... so take the one you want to take. I took my LTM W-Nikkor on a 10 day trip to China recently and used it almost exclusively.
This is strange to think of having a lens stolen of lost during a nice trip you're preparing. If you push it a little bit forward, you'll end up with travelling with a disposable film camera and a smartphone.
Use your nice lenses. You have no idea where they will go once you're gone yourself (with a single ticket).
Sure. Post some images that you believe show the character of the lens. Thanks.
L1008370 by Alejandro Ilukewitsch, on Flickr
Untitled by Alejandro Ilukewitsch, on Flickr
Untitled by Alejandro Ilukewitsch, on Flickr
L1006447 by Alejandro Ilukewitsch, on Flickr
L1000009 by Alejandro Ilukewitsch, on Flickr
Untitled by Alejandro Ilukewitsch, on Flickr
Untitled by Alejandro Ilukewitsch, on Flickr
Untitled by Alejandro Ilukewitsch, on Flickr
L1000609 by Alejandro Ilukewitsch, on Flickr
L1000423 by Alejandro Ilukewitsch, on Flickr
L1000096 by Alejandro Ilukewitsch, on Flickr
L1000088 by Alejandro Ilukewitsch, on FlickrThanks! Your examples look very nice. I wonder if all pre-asph has same or similar OOF rendering or not. My lens gives me nice looking OOF.
* the W-Nikkor has field curvature with the plane of sharpness curving backward from the center of the image toward the corners whereas the Summilux seems to have a very flat plane of focus. I guess this field curvature is what causes the W-Nikkor's swirly bokeh (which I quite like).
* the W-Nikkor has minor barrel distortion whereas the Summilux has none. Incredible that the Summilux is so well corrected for plane of focus and distortion in such a small package.
The steel rim Lux mysterious special characteristics are intriguing, Erik. Is this Version 1?
I guess the aluminium mount lens is a cheapened version.
Fantastic photos! Congratulations Alejandro.Some images with the 35mm pre asph summilux. Most of these wide between 1.4 and 2.0. Bokeh can get a bit distracting but usually is quite nice. Also lens at 1.4 is not that sharp, but close down to 1.6, it improvs and at 2.0 i found it to be really sharp. I also have ladnscapes, but thought that portraits might be better to show the quality of the lens. Only thing that kills it for me is the close up focusing distance, 1m 🙁
Due to sample variation? Or cheapened barrel? I thought all pre-asph 35mm Summiluxes were optically the same 😕
The claims that
you often hear that the steel rim version is superior are just myths.
If anything, the reverse is true.