Look sharp: A bunch of starlink satellites freshly released from the mothership. They came from the right and faded in the shadow of The Earth on the left
They stay on the same course for a while before aiming at their "individual" position. So I´ve read.
Plaubel Peco Junior 180mm F5.6 Fuji GX680 Ilford PanF+ Plaubel Makina Film Back D23 1:1 JOBO Multitank6 Etone Tank Roller Omega DII 180mm black Rodagon laser aligned Arista #2 RC Dektol 1:2. Broncolor C200 Monolight Broncolor Octobox 150 Foamcore Fill Panel. Tim Layton digital background (printed at Sam's Club) on FOBA Sweep Table. Used a lot of camera movements to get the tines sharp as was possible.
White Shark Newport Aquarium SRT100 58mm F1.2 MC Rokkor wide open HP5+ EI 1600 Developed to EI 3200 D23 1:1. Omega DII Omegalite 100 Black Rodagon laser aligned 5x7 Arista #2 RC Dektol 1:2
5x7 Sinar Norma #2 360mm F9 Rodenstock Apo Ronar barrel at F11 Adox 5x7 Ortho PL25 Yellow filter Broncolor C200 1500WS Monolight popped eight times into Broncolor Octobox 150 with supplemental diffusion. 4x6 foot foamcore fill right just out of the frame. Legacy Mic-X straight replenished mixed in 2019. 5x7 Contact Print on Arista RC #2 Dektol 1:2 . I shot one frame at four pops, and one at eight pops. The denser neg looks better to me. Canvas background is "Tim Kelly Gold Plaster" painted for me by Artist David Maheu.
First test of Negative Lab Pro, a program which converts large format negatives (small ones too) into nice looking positives. This is 8x10 Fuji HRU XRAY Film, D23 replenished. Neg copied with Sony Nex-7 (36mp) with 50mm Zeiss F2.8 Touit, an AWESOME optic. Big learning curve ahead 🙂
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