hoot
green behind the ears
Due to the recent discussions of the Summitar on RFF, I thought I'd post my own experiences with this lens, which will hopefully be useful to anyone considering buying it.
Except for a brassed lens barrel and a few tiny specks of dust between the lens elements, the Summitar I grabbed for cheap on the auction site is mint; even the coating is perfect (I thought it was extremely rare for lenses this old to have survived without any cleaning marks). I haven't yet decided whether or not I want to keep it, but the performance is astounding. It easily beats the collapsible LTM Summicron I used to have, especially in flare resistance.
Below are the test photos I took this afternoon. Sorry about the boring subjects and composition, but I wasn't especially inspired today.
Photo 1: Testing for focusing accuracy. Shot wide open at the minimum focal distance of just under 1m.
Photo 2: Testing for distortion and converging lines. Shot at the minimum focal distance.
Photo 3: Testing for flare. No hood or filter were used.
Photo 4: Testing for shadow detail. Shadows deliberately underexposed, then toyed with levels in PS.
Photo 5: Testing bokeh at f/2.8
Except for a brassed lens barrel and a few tiny specks of dust between the lens elements, the Summitar I grabbed for cheap on the auction site is mint; even the coating is perfect (I thought it was extremely rare for lenses this old to have survived without any cleaning marks). I haven't yet decided whether or not I want to keep it, but the performance is astounding. It easily beats the collapsible LTM Summicron I used to have, especially in flare resistance.
Below are the test photos I took this afternoon. Sorry about the boring subjects and composition, but I wasn't especially inspired today.
Photo 1: Testing for focusing accuracy. Shot wide open at the minimum focal distance of just under 1m.
Photo 2: Testing for distortion and converging lines. Shot at the minimum focal distance.
Photo 3: Testing for flare. No hood or filter were used.
Photo 4: Testing for shadow detail. Shadows deliberately underexposed, then toyed with levels in PS.
Photo 5: Testing bokeh at f/2.8