jlw
Rangefinder camera pedant
I guess I'm not as imaginative as the rest of you. All I want to do is go back 20 or 25 years and re-photograph some of my own past, but with the cameras and films available now...
...being under the stars at a Westport Ballet performance in Kansas City and seeing Susan Hard dance for the first time, but with a 75mm f/2 ASPH Summicron instead of the crummy lenses I was able to afford then. (I can't afford a 75/2 Summicron now, either, but hey -- this is a fantasy, right?)
...being able to use T-Max 3200 and getting actual shadow details, instead of pushing Tri-X beyond its limits and just pretending I could see shadow details.
Oh, yeah, I'd also like to go back in time and tell myself NOT to trade away my Minolta CLE (one of the few cameras I bought brand new, in the box) or the pristine Contax IIa and 50/1.5 Opton Sonnar that had seen me through college (I could have just put it in a box until I could send it Henry Scherer to revitalize the shutter, which had stopped working at any temperature below 70 degrees and which I was told could not be fixed by anyone, anywhere...)
...being under the stars at a Westport Ballet performance in Kansas City and seeing Susan Hard dance for the first time, but with a 75mm f/2 ASPH Summicron instead of the crummy lenses I was able to afford then. (I can't afford a 75/2 Summicron now, either, but hey -- this is a fantasy, right?)
...being able to use T-Max 3200 and getting actual shadow details, instead of pushing Tri-X beyond its limits and just pretending I could see shadow details.
Oh, yeah, I'd also like to go back in time and tell myself NOT to trade away my Minolta CLE (one of the few cameras I bought brand new, in the box) or the pristine Contax IIa and 50/1.5 Opton Sonnar that had seen me through college (I could have just put it in a box until I could send it Henry Scherer to revitalize the shutter, which had stopped working at any temperature below 70 degrees and which I was told could not be fixed by anyone, anywhere...)
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