The advantages of digital for me is that I can do the whole process in my apartment without having to allocate a space for trays, chemicals, enlarger, etc. Also, less set-up and preparation to edit, print, manipulate, etc. The computer is a multi-purpose device and it saves space in a small apartment. Additionally, I can print while watching TV. 
I actually like chimping too.
The only disadvantage for me is that I really love certain film cameras. Also, the digital cameras I like are way more expensive than the film cameras I like... (my M6 was $1300 used in the early 90s and was current). M9 is crazy compared to that. However, you save on film.
I actually like chimping too. The only disadvantage for me is that I really love certain film cameras. Also, the digital cameras I like are way more expensive than the film cameras I like... (my M6 was $1300 used in the early 90s and was current). M9 is crazy compared to that. However, you save on film.
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Beemermark
Veteran
I use digital and film. I cannot afford a Nikon D3 or a Leica M9. My film cameras provide full frame at no cost. My 16mm is 16mm. No need to spend a fortune for new slow zoom lenses and a full frame body.
willie_901
Veteran
Film has three huge advantages.
1/ The aesthetics of an analog B&W print.
2/ Many of the cameras we enjoy operating use film. Many of the cameras we don't enjoy operating are digital. Digital cameras we enjoy operating are beyond the budget or insult the fiscal responsibility of many photographers. The remaining alternate uses digital technology from 2001 and is not well supported outside of Japan. (I do not mean to start an RD-1 controversy because I know there are numerous happy RD-1 users, but these facts are important to me).
3/ If one can not afford $8,000 to $30,000 + for a medium format digital camera, a large format film camera is the only means to exceed the IQ of a high-quality digital camera.
1/ The aesthetics of an analog B&W print.
2/ Many of the cameras we enjoy operating use film. Many of the cameras we don't enjoy operating are digital. Digital cameras we enjoy operating are beyond the budget or insult the fiscal responsibility of many photographers. The remaining alternate uses digital technology from 2001 and is not well supported outside of Japan. (I do not mean to start an RD-1 controversy because I know there are numerous happy RD-1 users, but these facts are important to me).
3/ If one can not afford $8,000 to $30,000 + for a medium format digital camera, a large format film camera is the only means to exceed the IQ of a high-quality digital camera.
Steve Bellayr
Veteran
For the ProAm cost is the major contributing factor, at least for me. If funds wer unlimited an M9 would be ideal, of course, I would need and entirely new storage system and the learning curve on working with digital images would be extemely long. If you are using an M system does the number of photos that you take justify $7000 for an upgrade to and M9 plus a storage system dedicated to digital images?
Roger Hicks
Veteran
Digital means constant change, being on a constant learning curve, always having to get used to something new. Some new interface, some new computer, some new software, some new file format. To not embrace change every three years or so means those around you will upgrade to something better, and you won't have it.
Film means being able to stick with something that you can do for life. Use the same camera, use the same film, use the same process. Those around you can buy the latest F6 and you can still use a Nikon SP and get results that look just as good on a print.
I suspect that's why some people don't like it digital, and others love it.
Me- I think I'll write a custom noise reduction algorithm for my M9 files using Microway FORTRAN-77 running on Phar Lap extended DOS. I want to try noise-removal running on the DNG files, separating the image into 4 sub-images based on which quadrant of the Bayer site that it is in. I hate Windows. Although I did download the FTN-95 compiler.
Film means being able to stick with something that you can do for life. Use the same camera, use the same film, use the same process. Those around you can buy the latest F6 and you can still use a Nikon SP and get results that look just as good on a print.
I suspect that's why some people don't like it digital, and others love it.
Me- I think I'll write a custom noise reduction algorithm for my M9 files using Microway FORTRAN-77 running on Phar Lap extended DOS. I want to try noise-removal running on the DNG files, separating the image into 4 sub-images based on which quadrant of the Bayer site that it is in. I hate Windows. Although I did download the FTN-95 compiler.
anu L ogy
Well-known
I have shot both at some point or another, but this is an easy choice for me. I love being in a darkroom
Benjamin Marks
Veteran
Hard to stick to bullet points. But I will offer these qualitative observations: wet photography is like cooking. Times. Temperatures. Ingredients. Other than the camera, the tech in your home is repairable with ordinary tools. The process, at least as I engaged in it, was solitary, meditative and favored the introvert. Like cooking, interrupting the process was difficult because of environmental constraints. You loved the darkroom or you hated it, but you needed to be there to produce the product.
Digital is inherently flexible, plastic (in the sense of mold-able), technological, and connected. It allows for instant feedback, sharing, and socializing. Mastery of all the details from "capture" (?hate that word!?) to output is actually impossible for me to imagine. Just the thought of understanding color space and willing my camera, monitor and printer into synch makes my head hurt and so I settle for "good enough". Much more of the magic happens in little microchips and because we are in the early days of this revolution, the pace of change is exponentially faster than on the film side of things, where the technology has been mature for almost 60 years. Although the gamuts are narrower, the possibilities are endless.
Photographically, I do have the sense that we are accelerating pell-mell down a technological cul-de-sac. Archeologists 5,000 years from now will think that Western civilization stopped developing at some point in the last 10 years, because all of our brightest thoughts and creative impulses are going to be stored on computer-as-fashion-item devices with usable lives measured in months that are dependent on specialized and buggy code, inadequately documented and poorly maintained.
Now where did I put my M9?
Ben
\\Rant off
[Edit: I do realize that my characterizations above are merely a description of how I do/did wet photography and I do e-photography][You could work for a paper, just be the guy who presses the shutter button and be a perfect extrovert. I was simply trying to characterize the act of making a unique original (a negative) and ultimately a photograph which was one performance of a printing recipe (expose film, develop negative, do a dodge-burn dance and cook for a predetermined time) vs. an image encoded as a binary file.]
Digital is inherently flexible, plastic (in the sense of mold-able), technological, and connected. It allows for instant feedback, sharing, and socializing. Mastery of all the details from "capture" (?hate that word!?) to output is actually impossible for me to imagine. Just the thought of understanding color space and willing my camera, monitor and printer into synch makes my head hurt and so I settle for "good enough". Much more of the magic happens in little microchips and because we are in the early days of this revolution, the pace of change is exponentially faster than on the film side of things, where the technology has been mature for almost 60 years. Although the gamuts are narrower, the possibilities are endless.
Photographically, I do have the sense that we are accelerating pell-mell down a technological cul-de-sac. Archeologists 5,000 years from now will think that Western civilization stopped developing at some point in the last 10 years, because all of our brightest thoughts and creative impulses are going to be stored on computer-as-fashion-item devices with usable lives measured in months that are dependent on specialized and buggy code, inadequately documented and poorly maintained.
Now where did I put my M9?
Ben
\\Rant off
[Edit: I do realize that my characterizations above are merely a description of how I do/did wet photography and I do e-photography][You could work for a paper, just be the guy who presses the shutter button and be a perfect extrovert. I was simply trying to characterize the act of making a unique original (a negative) and ultimately a photograph which was one performance of a printing recipe (expose film, develop negative, do a dodge-burn dance and cook for a predetermined time) vs. an image encoded as a binary file.]
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EtoileFinder
Established
Another avantage of digital :
because a lot of people is converting to digital, its has enable me to purchase a jobo cpa2 with lift and a focomat v35 for really cheap.
because a lot of people is converting to digital, its has enable me to purchase a jobo cpa2 with lift and a focomat v35 for really cheap.
emraphoto
Veteran
film - because it's the only thing i can afford to run through the hasselblad.
saving pennies for a digital back and the glass to match it.
saving pennies for a digital back and the glass to match it.
emraphoto
Veteran
i like option a/ and b/
peterm1
Veteran
Photographically, I do have the sense that we are accelerating pell-mell down a technological cul-de-sac. Archeologists 5,000 years from now will think that Western civilization stopped developing at some point in the last 10 years, because all of our brightest thoughts and creative impulses are going to be stored on computer-as-fashion-item devices with usable lives measured in months that are dependent on specialized and buggy code, inadequately documented and poorly maintained.
I hear this a lot but with respect, I do not think I agree.
Only last night someone on TV was commenting on the fact that the Library of Congress in USA is recording all sorts of ephemera - even tweets from the internet for future generations. As storage costs fall I would not be in the least bit surprised to find whole sites like Flickr recorded somewhere for posterity in the future.
Yesterday I was doing some family genealogical research. I went online, googled the name and in minutes had dozens of downloadable photos of my forebears online from our State Library which had digitized and posted them for reference purposes. I doubt I ever would have had the time or ability to find them otherwise. Digital media makes things more available not less. And it makes them more secure not less. The cost of storing those original hardcopy images in archival condition and restoring them when they inevitably crumble is so high that all except the most important would inevitably be lost over time.
I have worked in the IT industry enough to know about how the industry often has to transfer data from so called "legacy (ie outdated) systems to new "platforms" and to new formats. The data is intact - just in a new format and stored on new technology. This happens all the time. And I am sure it will happen in the future. Not only that the data is always (for which read ALWAYS) with major institutions like public libraries, backed up and restorable in the event the unthinkable happens.
Digital media makes me more certain of this info being around in hundreds or even in some cases thousands (if its valued enough) of years.
Even at a personal level changing formats as technology changes is not a big deal. Think of digital videos... There are literally dozens of formats for videos now in use. But there are also dozens of transcoders available for purchase (or free) online. It's a trivial matter to recode a video - even more so a digital image. Sure many photos stored at home on PCs will be lost as people will not bother to archive or back them up them properly. But the same can be said for hard copies. I cannot tell you how many photos I have "binned" just because I no longer have the space to store them properly. Most are trivial to me but could be of great interest to future historians just because of the information they contain about how we live now.
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Keith
The best camera is one that still works!
On reflection I think that the major advantage with digital is being able to change ISO frame to frame ... in lighting environments with extremes this is very liberating and really makes up for the 'pork' of a DSLR.
literiter
Well-known
A good friend of mine is a wedding photographer. He uses a DSLR for the bulk of his work but often supplements his work with film cameras, like a 6x17 panorama, Ebony 4x5, and a Hasselblad. He encourages is clients to use film for weddings because he explains, it is relatively archival.
Most of his clients like the idea.
Most of his clients like the idea.
shimokita
白黒
Film:
PRO: good equipment at reasonable price
CON: (inconvenece of) dust and scratchs on the negative
Digital:
PRO: sometimes I get better results in color
CON: storage requirements including image size
Both:
PRO: (w/ inconvience of a computer) I can share the results across distance
CON: (for me) I end up in front of a computer
note: my requirements are personal rather than professional
Casey
PRO: good equipment at reasonable price
CON: (inconvenece of) dust and scratchs on the negative
Digital:
PRO: sometimes I get better results in color
CON: storage requirements including image size
Both:
PRO: (w/ inconvience of a computer) I can share the results across distance
CON: (for me) I end up in front of a computer
note: my requirements are personal rather than professional
Casey
Tom Rymour
Member
Here's the digital deal breaker: as yet there is no digital M2, with M2 results and film quality.