Gumby
Veteran
The Monochrome Sensor- kind of like Jack Nicholson in Five Easy Pieces, just make the BLT but leave the Dye out of the Mosaic Filter.
I think it would be even easier than that.
The Monochrome Sensor- kind of like Jack Nicholson in Five Easy Pieces, just make the BLT but leave the Dye out of the Mosaic Filter.
Other manufacturers made film cameras that cost less than a Leica, so why is it fantasy to wish for the same with digital? There are cameras equally as good as and with similar specs to the X1 available much more cheaply than that Leica.
Not a lot of development/progress would happen if nobody asked 'Why don't they make'.........
The dream seems to be that technology will make the unaffordable, affordable. But, there is also the myopia that forums like this create, causing us to imagine that there is a large potential market for things that few really want. 🙂
The market for digital RFs is now so tiny that (I suspect) the only way to meet it is by making a very expensive camera.
If any of us know where to get full-frame sensors cheap enough to allow a camera to come in under $2000, maybe we ought to get into the camera-making business.
Roger,
I think you underestimate the market for digital rf cameras.
As long as professional dslr's remain the size they do, I imagine there will always be a decent-sized portion of that market that wish for a smaller, but fully capable camera. This group is far larger than the typical rf-user market, and with the right price point (ie not M9 $9,000 price point), these people could all be digital rangefinder shooters, I suspect.
It's a self-fulfilling prophecy, pricing a product so highly that only a small portion of your potential market can afford it, and then claiming that there is no market for the product. That sort of thinking would have us all believing film is dead! 🙂
Roger, I think your question must be rhetorical. You may hardly be blamed as you've spent a long time in a state of love and I suspect it has softened and opened your heart. These are good attributes.
A generalization: men (and perhaps women too) who struggle in endeavors where success is not clearly defined will sometimes retreat into competencies more easily measured. I do not confuse technical mastery with this form of retreat. But this form of mental retreat allows concepts to be developed as rationale. The rationale allows for excuse-making avoidance of the task at hand: producing work. In our case, photographs. It is distraction by fantasy or delusion and it is perhaps one of the ego's best-used techniques to avoid the hard work of producing photographs (or anything else for that matter). Absorption in the process, whether Tai Chi or photography or cooking, subsumes the ego. It doesn't like that.
Maybe.
Perhaps we might, just as an exercise, divide the user group into two camps. One uses the gear they have, doing the best the can while wishing they had better. The other, produces nothing because they "don't have the right tools". Or produces less than they are able under the same speciousness. The reality is most people fall somewhere in the spectrum rather than at the extremes, if you will.
Maybe.
Men love metrics. Another generalization, but of all the female photographers I know (I restrict this definition to those who are producing completed works), and their number is somewhat greater than a dozen, only one of them engages in the "why don't they make..." litany. Of the males in the same line of work, a significantly greater proportion of them can tell you not only about the cameras that they have but the one that they "really wish they had", existent or not. I leave the implication where it lies. It is hardly scientific but it's all I have.
One notable exception amongst the male photographers I know is perhaps the most successful - all he knows about is the cameras that he uses and he knows them inside out, fingers moving across the controls, eye rarely leaving the viewfinder. He shoots digital but if you have a discussion with him about photography the camera is never mentioned other than his dictum that you must understand the camera so completely that you can operate it unconsciously. You must understand the camera you have - not the one that "they really should make...". He too has been softened and opened by long association with his lover.
Lest that provoke other readers to the folly of derision, this particular photographer came in second place in the U.S. heavyweight karate championships held at Madison Square Garden. In his hometown. Mid 1960s. While working full time as a commercial photographer. He is now an éminence grise, and not solely as a photographer though his body of work keeps growing and he keeps improving. Perhaps it is because he was trained as an painter and, as far as I can tell, always maintained a fine art practice, that his focus is on light rather than the black box we push it through.
Maybe.
Or it could simply be the technological musings of the technologically adept.
Maybe.
Generalizations. But we are talking about a group of people.
Best,
Shane
Dear Damien,
This is of course entirely possible, but equally, there must be quite widespread agreement among manufacturers or I suspect we'd have seen an M9 competitor by now. The fact that the X1 and X100 do go head-to-head, with the X100 currently looking better on paper, though not actually available, argues that this style of camera is much closer to the market among those 'that wish for a smaller, but fully capable camera'.
The probem is that we're dealing with unknowns, rather than with self-fulfilling prophecies. Leica couldn't make the M9 a lot cheaper: they'd need vastly more automation, a bigger work force, a totally different business model. No-one else does make an M9 competitor, which suggests to me that they don't see any money in it, at any price. It would have to be quite a lot cheaper than a Leica, or people would find the extra money to buy a camera from a manufacurer less likely to be 'here today, gone tomorrow' at least in the DRF market).
Along, presumably, with the manufacturers, I am far from convinced that it is financially feasible to bring a DRF in at the necessarily low price.
Cheers,
R.
Roger,
As long as professional dslr's remain the size they do, I imagine there will always be a decent-sized portion of that market that wish for a smaller, but fully capable camera. This group is far larger than the typical rf-user market, and with the right price point (ie not M9 $9,000 price point), these people could all be digital rangefinder shooters, I suspect.
Why not ask Nikon - they sell full-frame D700's for less than $2400 (B&H)
I'm not so sure. Rangefinders were readiily available in the heyday of the film SLR, yet we did not see a big swing away from them.
I think it is much more likely that we will see a "smaller, but fully capable camera" that steals customers away from both the DSLR and the RF markets. M4/3 and similar technology are steps along that road. Remember, too, "fully capable camera" does not have to mean a camera with a 35mm-sized sensor.