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Frank Granovski said:Have you tried the B&W film called, "Lucky?" It's Chinese made Tri-X, and cheaper. 😎
According to Bill M. Lucky is owned by Kodak.
Is this correct?
Frank Granovski said:Have you tried the B&W film called, "Lucky?" It's Chinese made Tri-X, and cheaper. 😎
Cost has nothing to do with it. I'd be concerned about QC. Other choices are Ilford, Fuji, Efke/Adox, etc., in that order. Ilford is committed to film/b&w with high level of quality, Fuji may be committed but QC is high, and Efke/Adox is committed but I am not sure of quality.Frank Granovski said:Have you tried the B&W film called, "Lucky?" It's Chinese made Tri-X, and cheaper. 😎
back alley said:BTW: Did your move north have anything to do with a "low number" or was it a lady that drew you up?
# was 283 - funny the things that stick in my old brain.
followed a woman here - wife #1
Trius said:Cost has nothing to do with it. I'd be concerned about QC. Other choices are Ilford, Fuji, Efke/Adox, etc., in that order. Ilford is committed to film/b&w with high level of quality, Fuji may be committed but QC is high, and Efke/Adox is committed but I am not sure of quality.
I test and "dial in" film/developer/paper combinations, so selecting a new "platform" is not a trivial matter to me. If Perez says "film is dead", I don't get the warm fuzzies from State Street. Turning right off my sidestreet leads directly to his office building. Doesn't help me much, though.
Kodak sells emultion in drums to Lucky who, rather poorly, lays it down thinly. I have some Lucky 100 SHD in 120 rolls. After my first few experiences with its quality, I fond it worth paying the extra cents for PlusX. 😡Frank Granovski said:Have you tried the B&W film called, "Lucky?" It's Chinese made Tri-X, and cheaper. 😎
No, it's a "partnership" in which Kodak provides the emultions and Lucky the manufacturing, packaging, and distribution in the region.copake_ham said:According to Bill M. Lucky is owned by Kodak.
Is this correct?
Trius said:Cost has nothing to do with it. I'd be concerned about QC. Other choices are Ilford, Fuji, Efke/Adox, etc., in that order. Ilford is committed to film/b&w with high level of quality, Fuji may be committed but QC is high, and Efke/Adox is committed but I am not sure of quality.
I test and "dial in" film/developer/paper combinations, so selecting a new "platform" is not a trivial matter to me. If Perez says "film is dead", I don't get the warm fuzzies from State Street. Turning right off my sidestreet leads directly to his office building. Doesn't help me much, though.
wilt said:Shoot the film, off it goes into Rodinal 1+50 and then straight into the Konica Minolta (rest in peace) Scan Dual IV and the results are consistent and reliable.
fgianni said:WIthout fixing? 😛
Socke said:According to Konica Minolta the future of film doesn't look so bright:
Just found this somewhere else