The Last New DSLR? Would you believe the Pentax KF?

The Last New DSLR Ever? It’s Probably the Pentax KF!

Unveiled in ‘22 this upgraded Pentax K-70 may be the last of the breed

By Jason Schneider

The year 2022 marked the decisive moment at which the Mirrorless camera or EVC (electronic viewfinder camera) totally eclipsed the once mighty DSLR as the dominant category among interchangeable lens digital cameras. Indeed, the Pentax KF, was the only new DSLR introduced in 2022, an attractive, modestly upgraded replacement for the popular APS-C-format Pentax K-70. The K-mount Pentax KF added a higher-res 1.04m-Dot articulated LCD and slightly revised internals that reduced its body weight by a teensy 0.1 ounces. But how ever meager its improvements, the sleek, stylish enthusiast-aimed Pentax KF may earn its place in history as the last new DSLR in the world.

The rise and ultimate victory of the mirrorless EVC was made possible by perfecting its signature feature, the electronic viewfinder (EVF). The OLED EVFs in the current crop of mirrorless EVCs deliver a viewing experience that equals, and in many ways surpasses, the optical viewfinders (OVFs) in the best DSLRs—a brilliant ultra-hi-res image in impressively vibrant and accurate color and presented at a high enough refresh rate to ensure a seamless viewing experience equal to the best OVFs. These EVFs also provide superior performance in low light by upping the gain, giving a brighter, clearer view of the subject. Also trending among mirrorless EVCs, are larger eyepieces with higher-magnification OLED EVFs to enhance viewing and composition.

Mirrorless EVCs have numerous other advantages both operational and physical. By eliminating the large and costly pentaprism and mirror box assembly, they can be made smaller and lighter than comparable DSLRs and have inherently greater flexibility in terms of form factor, resulting in many compact, elegant designs with more ergonomic controls. And of course, by eliminating the flipping mirror, a major source of camera-induced shake, they let you capture sharper images, with or without image stabilization, when shooting handheld at slower shutter speeds. Not surprisingly the current crop of mirrorless EVCs benefits from state-of-the-art technology that delivers impressive dynamic ranges, upgraded image stabilization specs, remarkable maximum full-res framing rates, vastly expanded ISO ranges, ultra-hi-res EVFs and LCDs, pro-caliber video parameters, and a host of other advanced AI-based features. However rather than extol the advantages of the triumphant EVCs, let’s do a quick rundown on the evolution of the DSLR, the camera type that laid the groundwork and provided the basis for today’s most advanced interchangeable lens digital cameras.

The World’s first DSLR: The Electro-Optic Camera

This tethered 1-megapixel beauty was designed and constructed by Eastman Kodak Co. under a U.S. Government contract in 1987 and 1988 and was inspired by Kodak’s Microtechnology Division (MTD) having announced the development of the first megapixel CCD in 1986. In 1987 a government customer asked Kodak’s Federal Systems Division (FSD) to build a new camera based on the new CCD. According to the lead engineer Jim McGarvey it was a “true skunk works project, with a very small team led by Ken Cupery the project manager, assisted by MTD engineer Bill Toohey, who designed the CCD analog circuitry, and technician Tom McCarthy, who assembled the whole system.” Mc Garvey continues, “…the customer preferred Canon film cameras, so I chose the beautiful and rugged New F-1 body, modifying the original door to attach the new CCD back, which was milled out of a solid aluminum block, with 3 small Allen screws used to adjust the focal plane of the CCD.
Three external LEDs to the left of the finder eyepiece indicate the status of the digital system.”

The first DSLR, the Elecrto-Optic Camera by Eastman Kodak Co..jpg
The first DSLR, the Elecrto-Optic Camera by Eastman Kodak Co. was tethered. Camera body is based on the Canon F-1.

Since the camera was intended for unobtrusive use, the CCD was mounted in a small addition to the back of a standard 35mm camera body, and the rest of the system was stuffed into a box connected to the camera with a thin ribbon cable, all of which fit into a normal shoulder bag. The Electro-Optic Camera project led to the Hawkeye II marketed to government customers, and in 1991 to the first commercial DSLRs, the Kodak DCS cameras by Kodak Professional Digital Camera System. This culminated in the Nikon D1 of 1999, the first professional DSLR to successfully challenge Kodak’s then-total dominance of the DSLR market.

Kodak early DSLR based on on Canon F-1 body.jpg
Open back of Kodak's groundbreaking SLR shows standard Canon F-1 body with CCD sensor in handmade digital back.

Over the next decade from 2000 to 2010, the DSLR category vastly expanded, and the DSLR quickly became the undisputed leader of the crucial pro and serious enthusiast consumer demographics. Manufacturers then entering the new, fiercely competitive DSLR market include Canon, Minolta (later Konica Minolta) Fujifilm, Sony, Pentax, Olympus, Sigma, and Kodak, all of which brought forth a profusion of broad spectrum and high-end pro/enthusiast models.
  • In January 2000, Fujifilm announced the FinePix S, its first consumer-level DSLR.
  • In November 2001 Canon released its first pro-caliber DSLR, the 4.1MP EOS-1D, and in 2003, unveiled the 6.3 MP EOS 300D (aha the Digital Rebel), the first DSLR with an MSRP under $1,000 ($999.00 to be exact).
Canon_EOS-1D.jpg
Canon EOS-1D: Canon's first top-of-the-line pro DSLR
  • In 2002 Nikon announced the very successful Nikon D100, offering pro-caliber performance at a reasonable price, using a 6.3MP APS-C-format CCD sensor. It inspired other manufacturers and was instrumental in expanding and refining the emerging DSLR mass market
  • In 2004 Konica Minolta released the Konica Minolta Maxxum 7D, the first DSLR with in-body image stabilization, a feature soon adopted by Pentax, Olympus, and Sony.
Konica Minolta Maxxum 7D with Sony DT 18-55mm f:3.5-5.6 SAM lens.jpg
Konica Minolta Maxxum 7D was the first with in-body image stabilization, a feature widely adopted by other camera makers.
  • In early 2008 Nikon brought forth the D90, the first DSLR to feature video recording, a feature that soon became universal on all subsequent DSLRs.
Nikon D90 with Nikkor ED 18-55mm f:3.5-5.6 II lens.jpg
Nikon D90: The first DSLR with video capability, it was a trendsetter and virtually all DSLR that came after it could shoot video with sound.

During the 2010s, the major camera manufacturers began transitioning their product lines away from DSLRs to mirrorless EVC cameras. In September 2013, Olympus announced they would stop developing DSLRs to concentrate on mirrorless EVCs. In 2020 Nikon announced that they were terminating DSLR production in Japan, followed by similar announcements by Canon and Sony.

The Nikon D6: the last flagship DSLR

Nikon D6.jpg
The mighty Nikon D6 of 2020, most likely the last top-of-the line pro DSLR.

However, in 2020 Nikon announced a final gift to DSLR fans, its last top-of-the-line, pro-aimed DSLR, the glorious Nikon D6. Featuring a full frame 20.8MP CMOS sensor mated to a high-spec EXPEED 6 Image Processor, this rugged beauty provides a full-res burst rate of 14 fps, sensitivity settings from ISO 100-102,000, extendable to an amazing ISO 3,280,000, a Multi-CAM 37 K 105-zone All Cross-Type AF system that provides 17 customizable Group Area AF patterns, and UHD 4K video recording at 30, 25, and 24 fps. All this and much more is built into a robust body with a magnesium alloy chassis and comprehensive dust and moisture sealing to allow working under harsh conditions. Measuring 6.3 x 6.42 x 3.62 inches (W x H x D) and weighing in at a hefty 2,79 pounds (body only) the Nikon D6 is certainly an impressive finale to one of the great line of pro DSLRs going back to 1999, but understandably it’s premium priced at a cool $6,496.95 body only.

The Pentax KF: The Last new DSLR Ever?

Pentax KF with 18-55mm zoom, frint view.jpg
The Pentax KF, front view, with SMC PENTAX-DAL 18-55mm f/3.5-5.6 AL WR. Lens and body are both water resistant.

While one well respected reviewer dismisses the Pentax KF as “…simply the Pentax K-70 APS-C-format DSLR with a few very minor tweaks, mostly made as a result of changes in component availability” the KF, which replaces the K-70 in Ricoh’s Pentax line, is nevertheless a, sleek, elegant high-performance camera that will surely meet or exceed the expectations of the serious enthusiasts that comprise its target audience. Its 24.24MP CMOS sensor is coupled to a PRIME MII high speed imaging engine, a combo enabling res burst rates up to 6 fps, ISO settings of 100-102400, and full HD 1080i video at 60 fps. Its 3.0-inch Vari-Angle LCD monitor has had its res bumped up to 1.03m-dots for clearer viewing, and its built-in sensor-shift Shake Reduction system uses a gyro sensor to provide a 4.5-stop anti-shake advantage in handheld shooting, and its SAFOX AF system pricvides 11 phase-detection points including 9mcross-type sensors and operated down to -3 EV for low light work. Other features: 3 new custom image modes, Satobi, Bleach Bypass, and Cross Processing plus special Kyushu and Katen modes accessible with specific lenses, a Pixel Shift Resolution System that captures 4 images, each shifted by one pixel, and combines them into a single more detailed, higher resolution image,, comprehensive wireless, functionality, and dustproof, weatherproof construction using 100 seals throughout the body that also deliver outstanding cold-proof performance down to -14°F.

Pentax KF rear view showing articulated LCD, readouts .jpg
Back view of Pentax KF shows ergonomic control layout, articulated higher-res LCD with readouts, in storage position against body.

Bottom line: While the Pentax KF, the camera most likely to be the very last new DSLR brought to market is not a splendiferous flagship camera like the Nikon D6 of 2020, the decades-long saga of the DSLR has not ended with a whimper because the Pentax KF is beautiful camera and worthy contender in the broad-spectrum enthusiast class, and at $846.95 (body only) it’s also an outstanding value.
Canon EOS-1D, Canon's first top-of-the line pro DSLR.
 
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Shab, you do good work with everything IMO. I know nothing of current Pentax although it was the first 35mm camera I ever used 50 years ago. I use Fuji and Nikon today and I love the old Nikkor manual focus lenses...also some of the AF lenses. And Nikon bodies? Well mine are all older than the D850 but they're good enough for me.

Lenses in the Nikon 21mm and 35mm range you want are all pretty great, again IMO. The current Nikkor 20/1.8 AF-S G series lens is excellent although it is very plasticky and feels cheap. Image quality is great however. I also like the older 20/2.8 AF. It's an older AF lens that focuses by a screw drive with the motor in the camera body. It takes a bit of getting used to but it's also a great lens. Older manual focus lenses were built better using metal instead of plastic. As for 35mm, Nikon had a range of 35/2 lenses that used the same optical formula for decades, beginning as manual focus and moving into AF as well. They are superb. I'm not that fond of the current 35/1.8 AF-S lens but it's good for most purposes although, again, lots of plastic in the design. Nikon also had a wonderful 35/1.4 manual focus lens and now makes an AF 35/1.4 but I know nothing about its performance. One of the great things about Nikon is that up until they switched to mirrorless bodies their old lenses would fit directly on their cameras (with a few exceptions in the lower priced range). This gives a huge selection of lenses to consider, many relatively low priced.
 
Yes, all of the FA Limiteds are full-frame. It's a substantially different and bigger lens than the DA Limited 21mm f3.2 (which is a cool, tiny little lens, very fun to use). The FA21 is outside of my price range, personally.

Just note that there is a range of HD Limited lenses for APS-C sensors: 15, 21, 35, 40 and 70mm.

There is an HD 21/3.2 for 24x36 sensors and a DA 21/3.2 for APS-C sensors. Don’t get confused.

These lenses are all excellent, and stick to Pentax’s tradition of having a ‘familial look’. The new 24x36 lenses and the red ring APS-C lenses have the newest coating technology: About HD Coating / Lenses / Products | RICOH IMAGING Hoya, who owns Pentax, has a lot of really great technology for element manufacture and coating.

Marty
 
The Konica Minolta 7D was really nice, one of my favorites. The user interface was copied by many because of its straight-forward simplicity and button and dial layout for the most frequently used functions. Transitioned by Sony to their alpha cameras, but never as user friendly as the 7D. Still great fun to shoot with!
 
Just note that there is a range of HD Limited lenses for APS-C sensors: 15, 21, 35, 40 and 70mm.
There is an HD 21/3.2 for 24x36 sensors and a DA 21/3.2 for APS-C sensors. Don’t get confused.
These lenses are all excellent, and stick to Pentax’s tradition of having a ‘familial look’. The new 24x36 lenses and the red ring APS-C lenses have the newest coating technology: About HD Coating / Lenses / Products | RICOH IMAGING Hoya, who owns Pentax, has a lot of really great technology for element manufacture and coating.
Marty

Unlike me, who is clearly still confused.

Pentax HD Pentax DA 21mm f/3.2 AL Limited Lens is for APS-C sensors.

Pentax HD PENTAX-D FA 21mm f/2.4ED Limited DC WR Lens is for 24x36mm (“full frame”) sensors.

Naming things is hard. No-one is as confusing as Kodak was, when, for instance two completely different films were called “Tri-X”, but sometimes Pentax’s naming is confusing.

HD indicates the new coatings.

Marty
 
DA=APS-C, FA=FF. The only really confusing thing is that the newest line of FA lenses is called the D FA, but that's really an abbreviation for "Pentax-D FA" i.e. Pentax followed by a letter (see Pentax-M, Pentax-A, Pentax-F, etc.). Look for either the DA or FA label and you'll immediately know what format it's for.

Incidentally the K-1 has an automatic APS-C crop mode you can enable for shooting with DA lenses, plus they give you the full ability to shoot DA lenses full frame and get all the vignetting you'd expect (on most DA lenses, a few actually cover the full frame and don't vignette when stopped down). Add to that you can adapt the 645 series of medium format lenses to the K-1 if you want!
 
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