DNG
Film Friendly
I'm not trying to pick a fight, or anything, but I do wonder about the utility of that definition. I don't think I ever take a photo without some regard to composition. Whenever I bring camera to eye I'm pretty sure that consciously or unconsciously I'm thinking on how I can make a "decent photo" (whatever that means) of the scene in front of me. Even when taking the most "snapshotty" of photographs.
Here's one that I took at a birthday BBQ for some friends' son last December, selected because its the only "family snap" shot I can think of that I have online (used as an illustration in a write-up I did on a new DSLR):
While hardly "art" or the best-composed photo that's ever been made, I do recall that I thought, albiet very casually, about how how I might go about taking the photo: making decisions about where to stand, what focal length and aperture to set and timing the shutter release to have the three people in frame "all in a row".
I also wonder whether intent is the best guide to deciding "what sort of photo" a photograph may be. Shouldn't the photo itself (or, perhaps for some, its position or inclusion in a sequence of photos) determine that, rather than the stated or imputed intent of the photographer?
It's all a funny business really. I have a couple of photos taken during a trip which I think are strong enough to "stand alone" as photos in themselves. Does that mean they aren't the happy-snap travel photos they "really were" taken as?
...Mike
I think that is a great snapshot....Who says a snapshot is a mindless act?
It may not be a museum quality photo, but a snapshot can be thought through and executed well, the above example illustrates quite well. 🙂
