rwtwpg
Newbie
Pentax 645, 75mm f/2.8, Portra 160VC
Cron
Well-known
Leica M8 + Zeiss ZM Sonnar 1,5/50
uhoh7
Veteran
nokton 35/1.2 v1
KEH
Well-known
Ricoh GXR-M, CV 35/1.2 II wide open. Pretty well-behaved, but not all that challenging bokeh-wise either.
Seasonal shot near Rock Creek Park, WDC.
Kirk
kyte
Established
CV 35mm @ f1.4
rogerzilla
Well-known
Red scale Elmar 5cm at f/4
rogerzilla
Well-known
Summarit-M 35mm at f/2.8
menos
Veteran
Leica M9 | 35 Summilux-M version 2 Made in Canada:
jcrutcher
Veteran
M9-P, 75mm Summilux F2.0 1/3000 ISO 160
jcrutcher
Veteran
M9, 75mm summilux
philosomatographer
Well-known
I recently started playing with some really old (1950s-early 1960s) Nikkors on a Nikon F. Here are some examples of the bokeh (first roll), in keeping with the spirit of this thread:
The first generation Nikon SLR optics are superb, and they are probably built to the highest mechanical standards ever attained. Other 50-year-old lenses that have never been serviced often look and feel like junk by this time (even Leica lenses), but these have a smoothness and solidity (and most importantly, clarity / lack of fogging) that is a thing to behold.
I tried some of Cosina's Zeiss-branded F-mount lenses the other day, and these feel like typical off-brand SLR lenses from the 1970s, no comparison whatsoever. The only really good-feeling one is the Distagon 35/1.4, but it's a giant boat-anchor (for a manual-focus 35mm lens)!
Cressida
Nikkor-H.C 50mm at f/2.0, Kodak TMY-2 400, Nikon F, scanned darkroom print
Water, through the shroud
Nikkor-H.C 50mm at f/2.0, Kodak TMY-2 400, Nikon F, scanned darkroom print
Mousse (Portrait)
Nikkor-P 10.5cm at f/2.5, Kodak TMY-2 400, Nikon F, scanned darkroom print
Minimal Growth
Nikkor-P 10.5cm at f/2.5, Kodak TMY-2 400, Nikon F, scanned darkroom print
Nikkor-H.C 50mm at f/2.0, Kodak TMY-2 400, Nikon F, scanned darkroom print
Water, through the shroud
Nikkor-H.C 50mm at f/2.0, Kodak TMY-2 400, Nikon F, scanned darkroom print
Mousse (Portrait)
Nikkor-P 10.5cm at f/2.5, Kodak TMY-2 400, Nikon F, scanned darkroom print
Minimal Growth
Nikkor-P 10.5cm at f/2.5, Kodak TMY-2 400, Nikon F, scanned darkroom print
The first generation Nikon SLR optics are superb, and they are probably built to the highest mechanical standards ever attained. Other 50-year-old lenses that have never been serviced often look and feel like junk by this time (even Leica lenses), but these have a smoothness and solidity (and most importantly, clarity / lack of fogging) that is a thing to behold.
I tried some of Cosina's Zeiss-branded F-mount lenses the other day, and these feel like typical off-brand SLR lenses from the 1970s, no comparison whatsoever. The only really good-feeling one is the Distagon 35/1.4, but it's a giant boat-anchor (for a manual-focus 35mm lens)!
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philosomatographer
Well-known
Some of them certainly can! For example, the OM Zuiko 21mm f/2.0:
And of course, the amazing Leica Summilux 21mm f/1.4... (probably won't get one in my lifetime though, will have to be content with f/2.0 at this focal length)
kds315
www.macrolenses.de
Goerz Hypar f3 1 5/8" (41mm) @f3
kds315
www.macrolenses.de
Carl Zeiss Jena Lamegon 38mm
kds315
www.macrolenses.de
Takumar f2 58mm (Sonnar type) @f2
kds315
www.macrolenses.de
(Zeiss) Contax G Sonnar f2.8 90mm @f2.8
kokoshawnuff
Alex
mob81
Well-known
Dynax 7 and Sony 135mm STF
Velvia 100-1_4_1 by Mohammed Basamh, on Flickr
Velvia 100-1_17_1 by Mohammed Basamh, on Flickr
Velvia 100-1_4_1 by Mohammed Basamh, on Flickr
Velvia 100-1_17_1 by Mohammed Basamh, on Flickr
philosomatographer
Well-known
Some more Large Format bokeh
Some more Large Format bokeh
The Schneider-Kreuznach APO-Symmar 150mm f/5.6 is among the very best of large-format lenses (only significantly outperformed by the Rodenstock APO-Sironar S series) with exceptional resolution and contrast even wide open. But it is generally plagued by awfully unsmooth bokeh, especially my particular version, which has a non-circular aperture opening even at f/5.6. I guess it's a Compur shutter made for 150/4.5 lenses. It's all-original, linhof-branded though, so that's the way it came from the factory.
Shooting at close range, however, makes most such concerns disappear:
Some more Large Format bokeh
The Schneider-Kreuznach APO-Symmar 150mm f/5.6 is among the very best of large-format lenses (only significantly outperformed by the Rodenstock APO-Sironar S series) with exceptional resolution and contrast even wide open. But it is generally plagued by awfully unsmooth bokeh, especially my particular version, which has a non-circular aperture opening even at f/5.6. I guess it's a Compur shutter made for 150/4.5 lenses. It's all-original, linhof-branded though, so that's the way it came from the factory.
Shooting at close range, however, makes most such concerns disappear:
Snowbells A
(Ilford FP4 4x5in, Schneider-Kreuznach APO-Symmar 150mm at f/5.6, Linhof Technika V)
Snowbells B
(Ilford FP4 4x5in, Schneider-Kreuznach APO-Symmar 150mm at f/5.6, Linhof Technika V)
The Nikkor-T*ED 360mm f/8.0, however, produces consistently excellent bokeh by most standards (roughly equivalent, of course, to a 90mm f/2.0 lens in 35mm format):
(Ilford FP4 4x5in, Schneider-Kreuznach APO-Symmar 150mm at f/5.6, Linhof Technika V)
Snowbells B
(Ilford FP4 4x5in, Schneider-Kreuznach APO-Symmar 150mm at f/5.6, Linhof Technika V)
The Nikkor-T*ED 360mm f/8.0, however, produces consistently excellent bokeh by most standards (roughly equivalent, of course, to a 90mm f/2.0 lens in 35mm format):
Arrangement in the rain
(Ilford HP5 4x5in, Nikkor-T*ED 360mm at f/8.0, Linhof Technika V)
GEA Garratt Detail
(Ilford HP5 4x5in, Nikkor-T*ED 360mm at f/8.0, Linhof Technika V)
(Ilford HP5 4x5in, Nikkor-T*ED 360mm at f/8.0, Linhof Technika V)
GEA Garratt Detail
(Ilford HP5 4x5in, Nikkor-T*ED 360mm at f/8.0, Linhof Technika V)
jcrutcher
Veteran
Mirror flower Bokeh
[URL="http://
M9 75mm Summilux
[URL="http://
M9 75mm Summilux