squirrel$$$bandit
Veteran
Title says it all. I'm using a copy stand, macro lens with extension tubes, small light table, and a film holder from an enlarger, but it's a bit inelegant. Anybody have a less clunky way of holding the film?
lukitas
second hand noob
I use the film holder, in the enlarger, with the camera mounted on the column.
Took off the base board, laid everything flat on its' back, so I can see through the viewfinder.
Not very elegant, but it works.
cheers
Took off the base board, laid everything flat on its' back, so I can see through the viewfinder.
Not very elegant, but it works.
cheers
KM-25
Well-known
Anti Newton glass carrier for either my enlarger or Nikon 9000ED. I used to do this just for quick and dirty scans but with the D810 I think it is equalling the Nikon 9000ED to be honest. With 120 or larger film I can shoot multi frames and stitch so it is actually exceeding the scanner.
I think DSLR scanning is the future....
I think DSLR scanning is the future....
HuubL
hunter-gatherer
slide duplicator attachment...? It worked for me with my D40, but only for the central part of the negative/slide. In practice, I use the V500 more often. I hate the negative holders, but still haven't ordered anti Newton glass for it. With regular glass plates, you have to be careful to avoid Newton rings.
squirrel$$$bandit
Veteran
So far its ok but doesn't work well for BW negs. Muddy tones.
I'm getting muddy tones, too, but I have been trying out different workflows in Lightroom and the scans are starting to come around. The resolution and sharpness are equal to the 5000ED scans I used to get, though. I think there's a lot of potential here.
Thanks, y'all, I have been wondering if I might find some kind of anti-newton glass solution. The enlarger carrier does hold the film pretty flat, though, with air on either side:
https://instagram.com/p/3SD7rkvEdw/
Perhaps I will just try to rig it so that it isn't clanking around.
KM-25
Well-known
Good point about muddy tones in black and white, thankfully have a darkroom.
edge100
Well-known
Enlarger film carriers. I have 35mm, 6x6, 6x7, and 4x5.
Works far better than any scanner negative holder I've used.
Works far better than any scanner negative holder I've used.
Godfrey
somewhat colored
Title says it all. I'm using a copy stand, macro lens with extension tubes, small light table, and a film holder from an enlarger, but it's a bit inelegant. Anybody have a less clunky way of holding the film?
- For mounted slides, a Nikon ES-1 slide duplicator stage
- For strips of negs or transparencies: a film holder made of stiff card stock that I fabricated to suit.
The notion of getting a couple of enlarger film holders and using that instead of my paper holders is interesting... I imagine the ones from a Beseler 4x5 enlarger would work well.
G
robbeiflex
Well-known
Last edited:
a.noctilux
Well-known
I use BEOON.
like in this post:
http://www.rangefinderforum.com/forums/showthread.php?t=148962
Arnaud
like in this post:
http://www.rangefinderforum.com/forums/showthread.php?t=148962
Arnaud
Noll
Well-known
I hacked a 35mm film carrier from an old flatbed scanner. The carrier only contacts the sprocket holes and allows me to pull the film through one frame at a time. I tape this to my light box. It is, admittedly, inelegant though.
pvdhaar
Peter
I usually rig up something very simple from a couple of Lego Technic pieces (some liftarms, axles, pins, and some elastic band) that I can clamp a neg between. Using Lego wheels laying flat makes that it doesn't shift/slide when I exchange negs. The DSLR is on a separate tripod.
John E Earley
Tuol Sleng S21-0174
mcfingon
Western Australia
The film on my rig is held by the neg carrier in an old enlarger. Full details here (already posted in a previous topic):
http://members.iinet.net.au/~fingon/howto/making_digitizer_mark_three/
http://members.iinet.net.au/~fingon/howto/making_digitizer_mark_three/
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