All my pinhole efforts have been digital. I did do some film camera design work inspired by Phil. The wooden camera with a tripod mount was designed around a 6x7 film back. I wanted a quality camera that I could easily modify. I tend to modify most things I build until I get them right - as per my use or discovered uses.
The advantage of using a film back is that you have a wind mechanism with many and a quality dark slide built in. The build cost may go up but, if the camera is a serious device and it's used a lot, it's worth the increase in investment. Lots of camera hardware items, like a tripod mount are easily found on the web.
I've built lots of camera and enlarger mods out of high quality, multi-ply plywood. It's a good building material. The mechanical interfaces are usually brass or aluminum sheet cuts.
http://www.crosscuthardwoods.com/multi-ply.html
I bought a series of very small drills, the biggest being a #80. They are are held in a pin vice on the drill press. you must carefully clean the holes as anything not optically smooth will affect the image quality. I've seen laser cut pinhole camera lenses for sale on the web. I haven't played with any I haven't made yet but, they may be a good option.
edit
Just an afterthought: if I were building a panoramic camera, I would still likely use an RB67 back, as they rotate and can likely be modified to do a 180° rotation. Mask half the frame and you have two pano film spaces per film advance. You can easily make a couple of different mounting plates for the film back depending on your needs.
Just checking prices, the backs are selling from $50-100, and rotating unit around $50 on the auction site.