jlw
Rangefinder camera pedant
Today was my first serious shooting session with the 1.3x eyepiece magnifier I ordered from Megaperls (from whom I got terrific service, by the way.)
The view through the magnifier is very clear, and the extra magnification greatly increased my confidence in using longer, faster lenses on my R-D 1.
The extra magnification also meant that the only finder frameline my bespectacled viewing eye could see was the 50mm one, which could be somewhat inconvenient in shooting situations in which the 50 was being alternated with a 28 and/or 35 (the magnifier screws into the eyepiece, so removing it isn't exactly an instant operation.)
However, it wasn't a drawback today, since the lenses I was using were the 50/1.5 Nokton, for which I could see the frameline easily; a 21mm f/2.8 Kobalux/Avenon, which requires an accessory finder anyway; and a 100mm f/2 Canon, which also requires an accessory finder. This meant that with the 21 and 100 I'd focus through the range/viewfinder, then transfer my eye to the auxiliary finder to frame the shot. I'd have had to do that anyway even without the magnifier, and the extra magnification made it easier to get accurate focus, which is especially critical with the sharp-but-demanding 100.
So, this accessory gets my thumbs-up.
I was interested to note on the Megaperls site, though, some text that hadn't been there when I ordered my magnifier: "ATTENTION: due to Leica patent restrictions, this product is not available to customers in Germany and the United States of America!" Glad I got mine before the lawyers got their licks in! And if the customs agents come knocking at my door, I plan to tell them that "magnifier" stuff was just to fool the Japanese authorities -- the gizmo I imported is actually a very tiny gun, my right to own which is Constitutionally protected!
Here are a few pix (from a studio rehearsal for the new Arcanum contemporary dance ensemble) showing examples where I thought the magnifier was especially helpful. All were shot at full aperture with the 50/1.5 or 100/2 lens, using EI 1600.
Incidentally, all these were shot in the R-D 1's raw mode, and I applied the toning and vignetting effects using Adobe Lightroom beta 3; still struggling a bit with this, but it's getting a bit easier the more I struggle!
The view through the magnifier is very clear, and the extra magnification greatly increased my confidence in using longer, faster lenses on my R-D 1.
The extra magnification also meant that the only finder frameline my bespectacled viewing eye could see was the 50mm one, which could be somewhat inconvenient in shooting situations in which the 50 was being alternated with a 28 and/or 35 (the magnifier screws into the eyepiece, so removing it isn't exactly an instant operation.)
However, it wasn't a drawback today, since the lenses I was using were the 50/1.5 Nokton, for which I could see the frameline easily; a 21mm f/2.8 Kobalux/Avenon, which requires an accessory finder anyway; and a 100mm f/2 Canon, which also requires an accessory finder. This meant that with the 21 and 100 I'd focus through the range/viewfinder, then transfer my eye to the auxiliary finder to frame the shot. I'd have had to do that anyway even without the magnifier, and the extra magnification made it easier to get accurate focus, which is especially critical with the sharp-but-demanding 100.
So, this accessory gets my thumbs-up.
I was interested to note on the Megaperls site, though, some text that hadn't been there when I ordered my magnifier: "ATTENTION: due to Leica patent restrictions, this product is not available to customers in Germany and the United States of America!" Glad I got mine before the lawyers got their licks in! And if the customs agents come knocking at my door, I plan to tell them that "magnifier" stuff was just to fool the Japanese authorities -- the gizmo I imported is actually a very tiny gun, my right to own which is Constitutionally protected!
Here are a few pix (from a studio rehearsal for the new Arcanum contemporary dance ensemble) showing examples where I thought the magnifier was especially helpful. All were shot at full aperture with the 50/1.5 or 100/2 lens, using EI 1600.
Incidentally, all these were shot in the R-D 1's raw mode, and I applied the toning and vignetting effects using Adobe Lightroom beta 3; still struggling a bit with this, but it's getting a bit easier the more I struggle!