To hood or not to hood?

To hood or not to hood?

  • Use a hood all the time on my lenses

    Votes: 91 60.3%
  • Never use a hood (why?)

    Votes: 13 8.6%
  • Some yes and some not (which ones?)

    Votes: 45 29.8%
  • I'm in a gang, I'm a hoodlum not a hood

    Votes: 2 1.3%

  • Total voters
    151
I think well-designed hoods look great (especially rectangular ones) and improve handling (no fear of fingers on front element, no caps needed), beside all the other advantages... I agree that petal hoods look ugly though and I'm also not at all fond of the dish-like wide angle SLR lens hoods that look huge and intimidating from the front. I'll still use them all.
 
I'm feeling argumentative, please don't feel singled out, you''re not the only one who has voice these ideas...
Because hoods make lenses even bigger, they are not bumpers because chances are that the obstacle wound't have hit your lens without the large hood, they make changing filters cumbersome, they are not needed in most situations unless you shoot against the light, and if you do, flares can be thing of beauty. 😀
Flare firstly means reduced contrast. Are you sure you always want that? Because there are ways to achieve it all the time! Underexpose and underdevelop your film, voila!
Ghosts OTOH you mostly get from a light source in the frame, which brings me to...
Nah, shooting against the light is in fact one of the few situations where a hood is useless - if the light source is in the frame, often also when it's very near the frame. No hood can block light from inside the picture area without blocking the picture, right? While keeping diffuse light away also helps, a hood makes the biggest difference when it can keep direct light from hitting your front element, and that can happen at near half of all possible angles when you're in direct sunlight (and the hood will help except in those where the sun is in the frame). So - in case that by "against the light" you didn't mean only when the light source is in the frame - are you going to avoid all those angles?

I recently met a Magnum photographer who had two cameras around his neck that were severely banged up, had lost all their paint, he used no hood, not even a protective filter ... and that guy's photos are amazing and have been published all over the world. I think that makes my point.
That makes your point? So your point was that a phantastic photographer can make amazing photos even with less-than-optimal-for-image-quality equipment? Congrats, you blew everyone's minds 🙄
 
The hood - It seems to be as much a personal preference as it is a matter of being beneficial (or not) toward the creation of images. Also the belief that a hood makes a damn fine protective device against dings and dangs and things that go bump in the dark. It’s all debatable, yes, no, maybe so!

Next will be the age old question of whether or not to use a lens protector or UV filter; does it help, hurt or neither?. Last but not least is the front lens cap; is it even worth the effort? Camera bags? Camera straps? Film vs digital! Phone vs Camera…

Thank goodness we have a forum where it’s fun to discuss these important issues. 🙂

All the best,
Mike
 
I generally always use a hood, filter and lens cap, when a lens is on a camera, in my bag.

This includes my 500cm, Canon F1's, Fed 3B, and any other cameras capable of taking these.

Hoods, filters and caps are the cheapest insurgence, you can have against a random knock into a doorway, a dropped bag, or other misadventure.

I keep the hood on while shooting and, if no needed, remove filters, but I very often keep a filter on between shots, if more than about five minutes, or I must step away from my tripod, outdoors.

Buy good filters, and use them with B&W film. Include ND filters and Polarizers in your kit and for colour work, and you'll no mind the extra 2 seconds of fuss, the first time your camera hits the floor, lens first and does no need to be repaired or replace.
r
IMO.
 
I always use a lens shade, aka hood. Never even gave it a thought. I do not use "protective" filters since I don't want to protect the lens from its best performance. Hence, a little shielding from the sun and a little protection from mechanical damage makes sense to me.
 
The hood - It seems to be as much a personal preference as it is a matter of being beneficial (or not) toward the creation of images. Also the belief that a hood makes a damn fine protective device against dings and dangs and things that go bump in the dark. It’s all debatable, yes, no, maybe so!"

I can no agree with looking at this as a personal choice that is debatable, but more of a choice about making the best images possible.

Professionals go to a lot of trouble to set up images, product or people, etc, and part of building a 'set' for photography, includes shielding the camera lens from glare, lights or other unwanted lighting effects.

Whether indoor or out doors, it ALL matters when it comes to getting the shot(s), with a single hood or a stand or two, with black cards, or simply because the experienced ad director and client are on the set and want to see all the tools, trick and 'secrets' of a professional photographer in play, so they feel better about the expense of a shoot, it does no matter.

No using a hood can be very expensive, taking more time, film, and patience, from your efforts and from the director and client, and any models whom are required, away from you, and don't think for a moment a single, badly executed shoot will no get talked about by the director, client, models and some assistants, including the clothing stylist, the make-up artist, the hair stylist, etc, the moment they walk out the door for a lunch or dinner break.

The choice to ignore shielding your lens from glare, etc, and the bad shoot that takes hours longer than was budgeted for, can kill your future business, no only from the ad director/client/modeling agency and models that want Professional Photographed done for their books, as well as more experience in front of a 'real' photographer, made wary by the word of mouth, how horribly you handled your job.

Now, I know lots of folks here do no want to be professionals, but I have a difficult time believing, that the majority of those that fall into that particular pigeon hole, do no want their photographs to be of professional quality.

I have never know of a photographer who looks at the work of other photographers, online, in books and the monthly mags, they spend a lot of money on, year after year, for the mediocre shots, no, the outstanding work of highly skilled Amateur and Professionals, all of whom learning from those that went before and those that work in the same areas they are interested, and are in competition for the same limited contracts, the freelance assignment of their dreams or even just the 'Photo of the Week, Month, Year, etc" of their favorite website, magazine, or local photo club.

Taken images are indeed easy to make on the run and gun chase for a decent photo, however, unless there is a really good reason that a hood, or filter interferes with a shot, no using them is just an excuse for the everyday slacker whom do no really Care how their images turn out, and gripe about how they never seem to get the outstanding photograph they went after. no matter how many rolls they buy and shoot.

IMO.
 
What a load of pish.

There are companies who are now creating lenses that ACTIVELY PROMOTE FLARE!* Because when you set aside the homogenised, commercial requirements of sterile / sharp / overly processed images, there are still a percentage of clientele who embrace things like flare.

Man, people are gobbling up anamorphic lenses on MFT and even smartphones just for the signature flare. To suggest that all professionals subscribe to this limited, generic thinking is ignorant.

JJ Abrams sends his regards.

* And so do Sigma https://www.sigma-global.com/en/cine-lenses/products/ff-classic-prime/ 🙄
 
As for the hood protecting the lens, I had a nice 70-200/2.8L Canon end up with a loose front barrel section due to bumping the hood against something. If the hood hadn't been on the lens, it wouldn't have been hanging out far enough to get whacked.

As I said previously, flare is not a major issue for me. I will use hoods to keep rain off the front glass as a rule. Otherwise it depends on how the spirit moves me as to whether or not I use the hood.

Now I do use clear filters on all my lenses. I've seen the value of these devices. In my 40-something years of taking pictures I've scratched, cracked or broken quite a few filters but I've never damaged a lenses front element.
 
What a load of pish.

There are companies who are now creating lenses that ACTIVELY PROMOTE FLARE!* Because when you set aside the homogenised, commercial requirements of sterile / sharp / overly processed images, there are still a percentage of clientele who embrace things like flare.

Man, people are gobbling up anamorphic lenses on MFT and even smartphones just for the signature flare. To suggest that all professionals subscribe to this limited, generic thinking is ignorant.

JJ Abrams sends his regards.

* And so do Sigma https://www.sigma-global.com/en/cine-lenses/products/ff-classic-prime/ ��

I'm pretty sure cinematographers who buy or rent these lenses use them very deliberately when they want these flares and ghosts and use other lenses, and fancy compendium hoods and flags(!), when they don't. That's quite different from the stance of not ever using a hood because one doesn't like their looks or whatever.
 
I certainly use hood for lenses with focal lengths of 35mm and longer. I have a 28mm and a 25mm lens but they are not fitted with hoods. With 35mm and longer I can see that the hoods are effective and can judge pretty well when they are being effective. With my two shortest focal length lenses I could not convince myself that hoods would be particularly effective it's too difficult to judge with confidence. With these lenses I use other techniques e.g. my hand or stepping into the shade, that kind of thing.
 
Use hoods with all my lenses .
I also use BW clear filters on all apart from the 400/4 which has internal filters.
I especially make sure that there is always a hood on the 400 ….. massive front element and no other means of protection .

The 28 Summicron is currently hoodless however because the crummy plastic one cracked.
I`m hoping that I can find a metal replacement .
 
"Man, people are gobbling up anamorphic lenses on MFT and even smartphones just for the signature flare. To suggest that all professionals subscribe to this limited, generic thinking is ignorant."

What you are describing is a Trend or Fad, no solid photography with the purpose to produce the best photograph in your ability to make one, using Best Practices, but to allow chance shots to influence the photograph because of built in or applied. elements of chance.

Just as in/from, the 1960's painters and other artists used whatever grounds, paints or substance to produce "works of art," with many works failing in just a few years or decades, does no mean it is anything more than a Fad, Phase, or anti-art attempt at a statement.

Call it a movement if you must, but to those of us that want to make a quality photograph, most especially in analog equipment, and darkroom prints, no software, Best Practices are nothing short of what many folks call, 'The Basics'.

If you want to make a shot with special lighting effects, use software and save yourself the expense of buying deliberately 'bad' lenses.

You'll find you have a higher rate of success and more time to shoot what you desire.

Tricks, as it were, are still for for kids.

IMO,
 
I virtually always use a MC UV filter, or correction filter, and a hood on all of my lenses. The only exception to this was when I carried a Barnack Leica with a collapsible lens and wanted to keep down the thickness of the camera to make it as compact as possible.
 
It's a personal choice. I won't criticize anyone for not using a hood or filter.

I'm grateful that some Leica and Nikon lenses have built-in retractable lens hoods (e.g. some old pre-AI teles, the newer 135/2 AF-D DC). Extend the hood when using the lens, retract it when storing in the bag. Simple.

Some lenses have front elements with very little recess (Pentax 35mm f/2.4 DA, for example. It definitely would be affected by extraneous light from the side. It seemed too vulnerable. Bought one last week and immediately bought a metal hood for it.
 
Just curious - unless your lens has a deeply recessed front element - what would the reason be for not using a hood? (honest query)

With film, my 50mm f/1.4 has a build-in hood and the hood for the 28mm f/2.8 Elmarit is small enough... but other wise I don't use a hood. It just something extra to fiddle with when taking personal shots. It adds to the size of the kit (e.g. Nikon F3P), particularly in winter where the camera stays inside the jacket when not being used... much of my photography is early morning or later in the day and slow enough set-up time that I can choose my composition...

Often I use Lee Seven5 filters (ND Grads) with tripod work and if necessary I can use my hat or hand to shield the lens... I have hoods for all my lenses, they just don't bring me anything that justifies their use for personal work.

For some reason, with digital (dSLR not mirrorless) I often use a hood... PL filters and bayonet hoods don't always seem to work well together (e.g. EF 70-200 f/4L with ET-74)...

Casey
 
As has been said, it is ultimately a matter of what you are trying to achieve. When shooting 'contre-jour' I don't like stray light getting into the lens and ending up on the negative either as a loss of contrast or 'aperture shaped' patches of light. I use hoods to prevent this happening. I can judge when a hood is being effective for my lenses with focal lengths of 35mm or longer. I have found it best to shade my 28mm and 25mm lenses in other ways e.g. with my hand or by shooting from a shady spot. If shooting with the light behind you its much less problematical.
 
Back
Top Bottom