venchka
Veteran
Crasis said:Go big or go home!
Haha! But hey, you just said the magic words there. MF goes on the tripod long before the Leica or Canon equipment.
So then, why worry about putting your Leica on a tripod? If you REALLY need to, it's because your MF miraculously broke and you're standing there with your pants down, figuratively. At that point, it doesn't matter where the tripod socket is located. You just have to get the shot 🙂
We strayed quite far from my original topic. I felt it was time for a new thread on the tripod or don't question.
First of all, my idea of when to use a tripod is very early, very late or anytime my film of choice and f-stop/shutter speed selection suggests a rock stable platform for the film. No matter which film and which body I may have at hand.
As a matter of choice, my whacking great Pentax 6x7 needs a tripod to wring every last bit of detail from the slides or negatives. The mirror slap is quite pronounced. The tripod quells any mirror bounce. I knew all of this going in. It's a price I'll gladly pay for the big slides & negatives.
Panorama production was mentioned as a reason for using a tripod. Darn essential I say. I am keen to try producing some tiled images using mutiple rows and columns of images. I can't think of a better lens/body combination for this than the 50mm DR Summicron on the M5. I plan to start small, say 2 rows of 3 photos. Having said that, I'm also thinking that 2 rows of 3 photos from the Pentax 6x7 would be wonderful as well.
Telephoto lenses and tripods. No brainer.
I reckon tripods began life as a required piece of kit when cameras moved outdoors. There is no reason to think that they are any less useful and required today.
Grinning. All of this tripod talk is giving me GAS! 😉