Transition to digital ?

Transition to digital ?

  • Zero. I'm 100% faithful to film.

    Votes: 106 36.7%
  • 1 to 30%. I'm getting into it.

    Votes: 62 21.5%
  • 31 to 70%. I do both.

    Votes: 73 25.3%
  • 71 to 99%. Mostly digital now.

    Votes: 36 12.5%
  • 100%. No more film for me!

    Votes: 12 4.2%

  • Total voters
    289
Hi!

Happy Holidays!

I never thought digital would catch my fancy. It has. I made my first purchase in May as recommended by my friend Monte Zucker.

It has been a wonderful experience for me. I simply love using digital photography for the work. I primarily operate my camera in manual mode because of the way I want to paint images of people with light.

For me, the transition has been quick because of the fact that I took pictures a long time ago with primarily transperancy (slide) film. Slide film has many of the same requirements for exposure as digital.

I just purchased a Canon 20D and a EF "L" 24-70 f2,8 lens. I'm going to use it at my last wedding for the year on December 18. I'm really looking forward to it!

Cheers!
 
I've broken three digital cameras since 1999. There wasn't much romantic appeal for me either until I discovered the macro mode on pro-sumer digicams.

Those small CCD sensors and 7mm focal lengths really are good for some things, especially if they are small and you want to get really, really close in.
 
Hi Bill and welcome to the forum!! 🙂

I have had a Casio digital camera for many years but never use it, so I voted 0%. I think the combo of film camera and scanner works pretty well.
 
Bill Clark said:
Hi!

Happy Holidays!

I never thought digital would catch my fancy. It has. I made my first purchase in May as recommended by my friend Monte Zucker.

It has been a wonderful experience for me. I simply love using digital photography for the work. I primarily operate my camera in manual mode because of the way I want to paint images of people with light.

For me, the transition has been quick because of the fact that I took pictures a long time ago with primarily transperancy (slide) film. Slide film has many of the same requirements for exposure as digital.

I just purchased a Canon 20D and a EF "L" 24-70 f2,8 lens. I'm going to use it at my last wedding for the year on December 18. I'm really looking forward to it!

Cheers!
Sweet camera and lens, Bill! I have a Digital Rebel and love it. My main walkabout lens is the EF 28-135mm IS. Image Stabilization is great stuff.

Enjoy the 20D!

Gene
 
Hi Rangefinders!

I'll stick to film (or the film will stick to me), because it's easy to archive it. It will be very hard to store digital images on any medium for decades.

berci
 
I voted "1 to 30%. I'm getting into it."

Should really read "I'm getting out of it!"

From 2000 to early 2004 I was completely digital, but never happy with shutter lag or resolution etc...

Now digital seems to have reached an acceptable quality/usability level; however this is in very expensive high end cameras... and I have since discovered the joys of of old RFs, and the look of film, which I much prefer! 😀

So no new digital cameras for me (unless they're gifts!)

-Nick
 
Honu-Hugger said:
Digital was invented for our "Camera and Coffee" thread.

D2

LOL, works for me. I voted >31% but that is probably too high unless you count scanning. And perhaps we should. I get a kick out of seeing people in forums stating they are film only and yet post photos which they have scanned and tweaked digitally. I guess they don't see it that way, but to me, that is using digital. Not a digital camera of course, but still digital use.

Currently my only digital camera is a Toshiba 4300 which has everything I want except interchangable lenses, and in camera b/w mode. I have been experimenting with it a lot lately and taking a lot of snap shots with it. It is a fun camera to use.

I'm with Bill on wanting to be able to use my screw mount lenses (especially the Fujinons) and I think I read there is an adapter for one or more of the Canon cameras to do so. What is holding me back besides a love of film's look and capabilities is cost.
 
100% film. I used to have a digital camera but I got rid of it a while ago since I never used it for anything beyond snapshots.
 
Originally posted by chenick Now digital seems to have reached an acceptable quality/usability level; however this is in very expensive high end cameras...

Thats the key right there. Unless you purchase one of the high end digital SLR's, you have to put up with all the compromises they make to keep the consumer cameras reasonably priced.

I would compare the consumer vs professional digitals like I would an advanced P&S film camera to a professional level film SLR.

But once you get into the professional level DSLR's, the whole world changes and those issues just go away. But the expense stays 🙁

Originally posted by BersiIt will be very hard to store digital images on any medium for decades.

I find the archival end of digital head and shoulders above film. I have boxes full of binders with 35mm slides and negatives in them. Most even organized and labeled. But I'll be damned if I could find those shots I took in 1987 with that blonde model I remember so well. I'd have to go through quite a few binders to find it. Then again, it could have been 1988, in which case its a couple more binders to search. Oh shoot, what if it was 1986? Damn...

With the last few years worth of digitally archived images, I can find anything I want within a matter of minutes. My image management software even tells me which disk its one, and I just go get it and plop it in. Searching is a dream, and you can drill down and down looking for obscure images easily. And browsing thousands of images looking for something interesting to play with in PS is a joy, where going through the binders is much more work. When I travel, I don't take my binders, but the image management software with all the thumbnails is always on my laptop. So I always have access to any image I've taken digitally and archived.

The media has never been an issue. I've got images (and text, documents, etc) on disk that were created on the original IBM PC-XT (what, 20 years now).! They just were copied every 5 years or so from one media to another as technology progressed. Going from 5.50 floppies to 3.25 floppies, later moved to a Zip Drive, then CD-ROM, and now reside on a fresh brand new DVD. The transition was effortless, cost very little, and now the images are just as good as they were 20 years ago, and sitting on fresh media good for much longer than it will take to move it onto new media as the technology changes. I don't see any issues with doing this for the next 200 years. Migrating to current technology is easy, costs very little, and secure for the long run. Also having multiples copies of them makes me feel better where as knowing if my house burns down I've lost all my film images 🙁 At least I'll have my digital images on the dupes left at my mothers house!

Also consider that all the major newspapers, magazines, periodicals, corporate media departments, sports departments, etc, are all using digital imaging. With the importance of all those images, billions of images, and the dollar value they represent, the technology will always be there to access this media. We are not going to wake up one day and find that we can't read our images anymore. As technology moves on, the images get migrated to the new technology. They will be current, fresh, 100% as the original, and the older stuff becomes backups, probably still readable for many years and a couple migration cycles. I can still find a 5.25 floppy disk drive to read my images from 20 years ago if I wanted. But there is no need, since they are now on DVD, and will be on the next technology wave when it comes.
 
That's easy for you to say.

I've been using a digital for 5 years. I find the migration from one generation to the next generation of computers or media to be a less than pleasant task. It's a chore.

I will say it is imperative to at least put your most important image files on a UNIX server and purchasing jewel cases for your CD-R files is money well spent.

I find it is commendable that you are able to find all your previous raw files, as well as your finished and manipulated files as easily as you say.

In regard to storing negs and prints with a Print-File system, it too is a chore, but once it's done it's done.
 
Digital has been really a different experience. I bought my first digital in may. It was Nikon D70. I had a Nikon film system.

To me, main advantages of digital are speed of post processing when pictures are needed fast and immediate feedback, pure colors and "clean", grain-free results.
But I still use film. I regard also slides as a final product and nothing has yet come close to projected slides in digital world.
And B&W films, it is really relaxing to work with them.

Yet, I am eagerly waiting digital RF:s, after Epson did open the game.
Esa
 
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berci said:
Hi Rangefinders!

I'll stick to film (or the film will stick to me), because it's easy to archive it. It will be very hard to store digital images on any medium for decades.

berci

This must be the reason why banks don't use computers
 
Originally posted by Solinar

>> I've been using a digital for 5 years. I find the migration from one

I'm surprised that you've migrated at all if you've only been shooting digital for 5 years. I've just finished a migration from my last one about 7 years ago. Yes, it is a chore, but only took a day. 1 day in 7 years isn't an issue for me. I could always farm it out for around $200. And $200 over 7 years again isn't that much in the long run.

>>> I will say it is imperative to at least put your most important image files on a UNIX server and purchasing jewel cases for your CD-R files is money well spent.

A server would be nice but overkill in my opinion. I keep all my important images also on a external 260GB disk for easier access. All the other images are only stored on the discs, and only access rarely. Almost as good as a server.

>>> I find it is commendable that you are able to find all your previous raw files, as well as your finished and manipulated files as easily as you say.

Its not that hard at all if you put it in your workflow. Files get batch renamed, written to disk, and I use IMatch as my image database. They get general categories and keywords assigned to them, and easily retrieved. I don't go nuts with keywords, but I can drill down enough to limit my search to say a couple pages of 50 images each. I can usually find that farily easily on screen in a few minutes.
It probably adds about 5 minutes to my workflow when archiving. A pittance considering the time it takes me to seach for images if I don't do that.

For example, I drill down by entering the following;
Model
Boston
Samantha M

I will get all the iamges I've taken of Samantha M done in boston and filed under model portfolios. Out of all the records, there are about 100 images all taken on two occasions.

Same with Aviation;

Aviation
In-Flight
Turbines
L39

And I get about 200 images. I can find the one I am looking for very easily since I've just eliminated all the other images in the database that are not L39 aircraft.

When I archive the images, I just select the group of images, which is almost always from the same shoot or generic category, and assign three or four keyworks, and I'm done. Burn the disk, file it, and move on. Not as hard as one might think.

It also automatically indexs all the EXIF information, so I can search by camera type, model, exposure, date taken, date modified, date filed, media id, file size, shutter speed, etc. Much of it useless, but none the less, another way to drill down to a smaller subset. T

It keeps all this data in a database, and attaches a 640x480 low res thumbnail to it. I have easy access to search the keywords and data, and it gives me a visual represenation of the image via the thumbnail.

>>> In regard to storing negs and prints with a Print-File system, it too is a chore, but once it's done it's done.

With Print-File system or Clear-File, Its easy to file the images, but extremely hard to find stuff in the future. I know this well since I am scanning a lot of my choice slides and negs now from all my binders. With the digtal archives, its a bit harder to file it, but easier to find it later, just the opposite. But with either system, once its done its done.

I spend more time looking at my images in the archives, than I do filing them. So I prefer to take the hit on time filing, then to take the hit every time I want to find an image, or just browse looking for images to use in photoshop creations.

Basically, I archinve and file every few weeks, and it takes about an hour of my time. but I use the archives about 20 minutes each day looking for materials for use in photoshop, on-line forums and gallerys, selecting and printing images, etc. So not having a digital database would cost me far more time in browsing in the long run.
If I didn't go back and access my files much, I'd just burn the disks and not worry about it. But I do, and it would be very time consuming by not having them organized in some fashion.

In my situation, it works for me. In others, it may not. But I am an active shooter, both personally and professionally, and I have a lot of images which I deal with daily. Organization actually saves me time in the long run, and digital is a godsend in that regard.

Even when I use use film, I get low res photo lab scans done for $2.99 a disk, and catalog the images and file the negatives. I even have a catageory called Rangefinders, since I don't get the EXIF info with the camera type 🙂
 
scanned slides in ACDsee

scanned slides in ACDsee

Indexing and all.

This weekend I'll finish scanning and ACDsee creates photo discs and keeps thumnails and information in it's database so I can find the disk easyly.
 
At work, it's digital all the way and it's not really fun. At least, it gets me to work full time in PS salvaging every single shot. AF gone wild, way off exposure, unexplainable color cast and all those nice little things digital provides are my daily bread. BTW, we have almost all the top DSLRs from the last 4 years and it still doesn't cut it.

Note that we never shoot in controlled environments. We never have time to measure light color temperature and do a complete zone measuring. We shoot events and we do it in a "machine gun" way. So we're asking a bit much from digital. When I do the same work with film and my good old 283, every frame is dead on, no matter what the conditions.

For my personal work, I went back to film about 6 months ago (from a Canon 10D that got stolen). I also went for my first RF. WOW! What have I been doing without this all those years?

My next digital camera will have to be a M mount RF with a 36x24mm sensor and the consistency of film but without the price tag of a car. 'Till then, I'll be shooting film with my trusty R2.

So, at work it's 100% digital (with AF, TTL flash, zooms and everything that can ruin your shot) and on my own time: 100% film (fully manual RF with real glass).
 
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I use Digital or Polaroid for work, 35mm and Polaroid for home. I use a Kodak DC50 (circa 1996) for the camera and coffee thread and for posting "for sale" stuff. I have no intention of shooting for fun with digital. At work, I have used Digital since 1981.
 
Marc, what is it I'm doing wrong?

Canon D60, Tamron 20-35/3.5-4.5, 420EX. All parameters +1, fine JPEG. No postprecessing except resizing
 
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