SimonSawSunlight
Simon Fabel
Last edited:
EliasK
Well-known
Ultron 28 f/2, Bessa R3M, TMY-2, Tetenal Ultragin plus 1+6, Epson V700
Paul T.
Veteran
Some lovely photos on here - not just the lens, obviously, but it has a look that I prefer to some other VC, it has the It Factor.
If that's barrel distortion on sper's, it's very mild - far better than a few lenses I've owned. It works well with people together with their settings. Great shots, SImon and Pufy...
If that's barrel distortion on sper's, it's very mild - far better than a few lenses I've owned. It works well with people together with their settings. Great shots, SImon and Pufy...
mastaliu
Member
said
Established
Leica M6 | Voigtländer Ultron 28mm/2.0 | Kodak Tri-X in D76 1+1 | Rollei Retro 100 in D76 1+1 | Plustek 7400
click4more
click4more
banzai
oh hai!
Favorite lens I've owned. Had it since February or so.
banzai
oh hai!
Matthieu
Member
With NEX-5, wide open.
bhop73
Well-known
said
Established
Leica M6 | Voigtländer Ultron 28/2.0 | Kodak Tri-X 400 @ Rodinal 1+100 60 Min | Plustek 7400
Click for more
Click for more
said
Established
Leica M6 | Voigtländer Ultron 28/2.0 | Tri-X 400 in D-76 1+1 | Plustek 7400
Leica M6 | Voigtländer Ultron 28/2.0 | Tri-X 400 @ 800 in D-76 1+1 | Plustek 7400
Click for more. ;-)
Leica M6 | Voigtländer Ultron 28/2.0 | Tri-X 400 @ 800 in D-76 1+1 | Plustek 7400
Click for more. ;-)
Tom A
RFF Sponsor
Takayama. Japan. MP and Ultron 28 f2.0. Slight crop. F2.8 and 1/30s
Tom A
RFF Sponsor
Plutocracy rules! Packard Limousine. LARGR car.
Bessa R4M, Legacy Pro, Pyrocat HD 12 min.
Austoseum in Simrishamn Sweden.
Austerby
Well-known
filmfan
Well-known
bump for more photos.
Dingo
Well-known
filmfan
Well-known
Color (First roll with 28mm f/2)
Leica M6/28mm f/2/Fuji Reala 100
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Leica M6/28mm f/2/Fuji Reala 100
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filmfan
Well-known
BW
Leica M6/28mm f/2
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Leica M6/28mm f/2
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wilonstott
Wil O.
This lens appears to be terrifically underrated (although it does have its fans).
I think it's a great lens, very sharp and contrasty all the way up to f/2, and the distortion is minimal. Additionally, I've never had any issue with the apparent "focus shift issue" with this lens.
However, I bought the lens to use with my M4-P, which as 28mm lines, but I found myself not using the lens that much because it was a pain to see the lines, and I had a hard time taking in the whole scene.
Anyway, I found a good deal on a Leitz finder (one of the plastic ones), and now I use the lens all the time. The external viewfinder really turns it around for me--I can visualize the scene so much better.
Here are some recents. All new Portra 400.
*I just noticed that these are all interior/incandescent shots. Unintentional.
Tangent: However, I do like the way new Portra 400 handles incandescent light--I was never really big on color correcting it. For some reason, I think night interiors look more 'right' with orange/yellow casts from incandescents.
I think it's a great lens, very sharp and contrasty all the way up to f/2, and the distortion is minimal. Additionally, I've never had any issue with the apparent "focus shift issue" with this lens.
However, I bought the lens to use with my M4-P, which as 28mm lines, but I found myself not using the lens that much because it was a pain to see the lines, and I had a hard time taking in the whole scene.
Anyway, I found a good deal on a Leitz finder (one of the plastic ones), and now I use the lens all the time. The external viewfinder really turns it around for me--I can visualize the scene so much better.
Here are some recents. All new Portra 400.
*I just noticed that these are all interior/incandescent shots. Unintentional.
Tangent: However, I do like the way new Portra 400 handles incandescent light--I was never really big on color correcting it. For some reason, I think night interiors look more 'right' with orange/yellow casts from incandescents.
lawrence
Veteran
I like this a lot.