My Old John Deere- and Little Leaf Blower. That is also great for dust bunnies under the furniture.
Voigtlander 50mm f/2 APO-Lanthar Aspherical Photos
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My Old John Deere- and Little Leaf Blower. That is also great for dust bunnies under the furniture.
My front Yard, anybody need firewood?
This lens does like the color green.
This lens is sharp. On the M9- it easily out-resolved the sensor with color mosaic filter.
I'll test it on the M Monochrom. Maybe I'll try the 3-filter color process with it.
This lens does like the color green.
This lens is sharp. On the M9- it easily out-resolved the sensor with color mosaic filter.
I'll test it on the M Monochrom. Maybe I'll try the 3-filter color process with it.
raid
Dad Photographer
My M10 does not let dial in as lens choice A for an automatic choice with the CV APO 50mm lens. I set it manually to 50/2. I have taken a quick drive to downtown, and I have some images that are not just of brown boardwalks and blue skies. Which manual choice would you try out with this lens?
rfaspen
[insert pithy phrase here]
Yes. This! 😎
This is an example of what really attracts me to this lens. Did I mention this lens is a little on the large-ish side? Might that be its only detraction?
This is an example of what really attracts me to this lens. Did I mention this lens is a little on the large-ish side? Might that be its only detraction?
Leica M10-P all f/2 except 2nd bunny shot at f4
Leica M10-P all f/2 except 2nd bunny shot at f4
Leica M10-P all f/2 except 2nd bunny shot at f4
raid
Dad Photographer
raid
Dad Photographer
Only brown and blue ....
raid
Dad Photographer
Stephen: to which lens selection to you set your M10P with this lens?
Bill Blackwell
Leica M Shooter
Of course, I can't speak with any direct experience, as I've shot neither. But based on what I've seen so far, I'd be inclined to keep the Nokton. The apochromatic correction would be the only benefit to the Apo-Lanthar.
If I didn't already own the 50mm Asph Summilux (my favorite lens) I would have either the 50mm Nokton v. II MC or the 50mm Nokton f/1.2 - even though (based on this thread alone) I can see the definite advantage to using the Apo-Lanthar as a B&W-only lens (90% of my M10-P images are converted to B&W).
However, there may yet be an M10 lens profile just perfect for colors on the Apo-Lanthar.
Stephen's pics (and Raid's latest group) look like my 40mm Nokton f/1.2 w/ the 50mm Asph Summilux lens profile. Looks like the Apo-Lanthar close-up shots shine (even the colors look better) - distance shots, not so much.
raid
Dad Photographer
The weight of this lens is within a few grams of the Type 1 Rigid Summicron.
Weight of the original Rigid 5cm F2 Summicron given as 285g. I had to measure the length of the Summicron- about 50mm. The APO-Lanthar is given as 53mm.
https://shop.cameraquest.com/voigtl...oigtlander-50mm-f/2-apo-lanthar-aspherical-m/
https://www.l-camera-forum.com/leica-wiki.en/index.php/Summicron_(I)_f=_5_cm_1:2
The APO-Lanthar has a larger diameter. It is also a floating element design, and focuses to 0.7m.
Weight of the original Rigid 5cm F2 Summicron given as 285g. I had to measure the length of the Summicron- about 50mm. The APO-Lanthar is given as 53mm.
https://shop.cameraquest.com/voigtl...oigtlander-50mm-f/2-apo-lanthar-aspherical-m/
https://www.l-camera-forum.com/leica-wiki.en/index.php/Summicron_(I)_f=_5_cm_1:2
The APO-Lanthar has a larger diameter. It is also a floating element design, and focuses to 0.7m.
raid
Dad Photographer
I used before the first one but today I used the second 50/2 option.
I turned lens coding off for my shots. If the camera or post-processing software attempts to apply corrections for chromatic aberration, I believe it will introduce color fringing.
read the FredMiranda thread on the Voigt 50/2 APO
the 50mm Asph Summilux is shockingly bad compared to the Voigt APO in terms of flare
https://www.fredmiranda.com/forum/topic/1676157/8#lastmessage
raid
Dad Photographer
This is good to know, Brian. I will try next turning lens coding off.
raid
Dad Photographer
I don't have a Lux, but I commented yesterday here that I find the APO lens flare resistant.
Bill Blackwell
Leica M Shooter
Yes, I see. Relative to the Apo-Lanthar, at least, which is surprisingly flare resistant. The nature of the flare on the Summilux, however, allows you to recover most of the details in post. I've never had an issue here.
On a side note -
The worst flare-prone lens in my bag is the 28mm Ultron f/2. That tiny screw-in shade really sucks, measuring barely above the filter rim! I wish they made a [better] alternative shade for that lens. Its design negates any 3rd-party option(s).
Tim Gray
Well-known
Yup, one of those was me. While I was able to much more easily induce flare with the ASPH Summilux, I don’t think I’ve ever really had an issue with it in the 10+ years I’ve used it. It really is a great lens.
The Voigtlander APO will be a fun lens though. It is nice to have a super sharp contrasty lens for certain things. It is shockingly sharp, even at f/2, at 100% on my M10M. I can’t believe how good these Voigtlander lenses are for the money.
brusby
Well-known
I'd be very interested to see some finished prints from this lens. While things straight out of a modern digital camera can be informative, they only tell a small part of the story. It's not too different from looking at a video shot in a log format before any color grading is done. Images would be super flat in color and contrast -- nothing at all like how beautiful finished color graded images might look.
I'm guessing with the large number of glass elements used to correct for this APO lens, the images would be a bit on the lower contrast side and with less saturated colors, at least compared to a design using fewer elements and having fewer air to glass surfaces. Not necessarily a bad thing, it's just that approaching perfection for some parameters, like APO correction for 3 colors as here, often comes at a price for others, such as contrast and saturation. Just theorizing. Maybe the designers have found an ingenious way to defy physics here.
p.s., I think the photo of the Christmas tree and ornaments above looks lovely. Colors appear saturated and vibrant without being overblown. I'm actually pulling for this lens.
I'm guessing with the large number of glass elements used to correct for this APO lens, the images would be a bit on the lower contrast side and with less saturated colors, at least compared to a design using fewer elements and having fewer air to glass surfaces. Not necessarily a bad thing, it's just that approaching perfection for some parameters, like APO correction for 3 colors as here, often comes at a price for others, such as contrast and saturation. Just theorizing. Maybe the designers have found an ingenious way to defy physics here.
p.s., I think the photo of the Christmas tree and ornaments above looks lovely. Colors appear saturated and vibrant without being overblown. I'm actually pulling for this lens.
