rhl-oregon
Cameras Guitars Wonders
I settled on ZM because their F2 images pleased me more consistently than comparable CV, and the handling became second nature. I even fixed my ZM 50/2’s wobble.
The 50/1.5 CV haptics were a distraction from ZM; I had it on a Nikon S2 during a time of a Try This Try That; I sold both. To be fair, the ZM 50/1.5 not only had shift issues, but I also still had inconsistent results from Try This emulsion, Try That subject at f1.5.
I never tried the 35 Ultron. I enjoyed the little 2.5 Skopars (21, 25, 35) in daylight, but they’re mostly gone, and I am trading/selling the CV remainders (35/1.4, 28/1.9, 21/4). I also have ZM 21/2.8, may get a 35/1.4 Distagon.
Just another story about how coherence, consistency, and second nature haptics matter in creating taste and preference. (But a few different M lenses are coming my way, Leica and MS-Optics, to mix it up again.)
The 50/1.5 CV haptics were a distraction from ZM; I had it on a Nikon S2 during a time of a Try This Try That; I sold both. To be fair, the ZM 50/1.5 not only had shift issues, but I also still had inconsistent results from Try This emulsion, Try That subject at f1.5.
I never tried the 35 Ultron. I enjoyed the little 2.5 Skopars (21, 25, 35) in daylight, but they’re mostly gone, and I am trading/selling the CV remainders (35/1.4, 28/1.9, 21/4). I also have ZM 21/2.8, may get a 35/1.4 Distagon.
Just another story about how coherence, consistency, and second nature haptics matter in creating taste and preference. (But a few different M lenses are coming my way, Leica and MS-Optics, to mix it up again.)