W/NW Film Noir

Leica IIIG. Heliar 15mmF/4.5. Delta100@400 expired 1998, Xtol 1+1

26218547957_2803012d6b_b.jpg
 
Ben - keep in mind what you're describing above is Story Noir, while this thread is about Noir Imagery. They are similar, but not the same thing.

46349811571_fdaa07df18_b.jpg

I love this image. And I fiercely defend anyone's right to make mistakes in the pursuit of art. I am not saying that there is anything wrong with some of these images from a formal point of view, only -- respectfully -- that the distinction you are trying to make doesn't really make sense. If you can't imagine the image as part of a film that partakes of this sensibility then the image doesn't partake of the sensibility. The term "Noir" has a history -- it comes from film of a certain period, a point of view, and an aesthetic that goes along with it. The aesthetic is in service of the idea, though, so I don't get your central point.

Ironically, your wonderful picture is an excellent illustration of what I am talking about and would, I think, be perfectly at home in a noir film. BTW, the thread's title is "Film Noir" . . . so isn't that what all the pictures here are trying to illustrate?
 
Along Railroad

Along Railroad

I get that most of film-noir we think of comes in B&W but then am reminded of The American Friend of Wim Wenders and the rich colors he captured on that film (a first come-back for Dennis Hopper). Ok, these are hardly that but I'll post them here anyway.

Spying this guy along Railroad Avenue as he punched wildly at the air making his way almost like a dancer along Railroad Avenue here, and then turning I caught a glimpse of this other figure at the corner and decided it made for a fun triptych.


49631325333_47e0883881_o.jpg



49631325128_1a13452446_o.jpg



49632113027_f94d54ed30_o.jpg
 
Back
Top Bottom