W/NW: wide ohhhpen

[Swift1]

Leicaflex SL
Summicron-R 50/2
Kodak Ektar 100
Epson V750​

 

[Greyscale]

CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr


CZJ Biotar 58/2 (Exakta), Sony A7ii by Mike Novak, on Flickr

 

[nickthetasmaniac]

M2, 5cm Cron Collapsible and Portra400

 

[kuuan]

daisies by andreas, on Flickr, "Pen-F' f3.5/20mm, Ricoh GXR M, Japan 2014

 

[Yokosuka Mike]

Fujifilm X-Pro3
Fujinon XF 35mm f2 R WR lens
Yokohama, Japan - January 2020

All the best,
Mike

 

[Yokosuka Mike]

Voigtlander 75mm f1.5 Heliar Vintage Line VM lens
Sony A7II
Yokohama, Japan - February 2020

I call this "Girl on a Windy Day".

All the best,
Mike

 

[dourbalistar]

Nikon FM2n, Nikkor-S Auto 55mm f/1.2, Ultrafine Xtreme 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2019.12.13 Roll #232-04268-positive.jpg by dourbalistar, on Flickr

 

[dourbalistar]

Nikon FM2n, Nikkor-S Auto 55mm f/1.2, ORWO N74+, developed in LegacyPro L110 at 1:31 for 6.5 minutes.


2019.04.27 Roll #202-03541-positive.jpg by dourbalistar, on Flickr

 

[Bill Blackwell]

Leica M-P 240
50mm Asph Summilux-M (wide-open)

 

[Damaso]

 

[Greg Maslak]

Here are two of the old abandoned apple trees in the back acre of our yard, taken last week. Truth be told, they are f2, but close to "wide open" for this great old lens.

Nikkormat Ftn/Old 50mm 1.4, Ilford FP4/Blazinal(Rodinal)

 

[Greg Maslak]

"Leaves of Garlic" - old pre-Ai Nikkor S Auto 50 at 1.4 on Fuji XT1

 

[Damaso]

 

[dourbalistar]

Nikon FM2n, Nikkor-S Auto 55mm f/1.2, Ultrafine eXtreme 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2020.05.31 Roll #247-04900-positive.jpg by dourbalistar, on Flickr

 

[Greyscale]

Topcon RE Super, Enna Super-Lithagon 35/2.5, Kodak 5222 @ 400, FA 1027 9 minutes 20C by Mike Novak, on Flickr


Topcon RE Super, Enna Super-Lithagon 35/2.5, Kodak 5222 @ 400, FA 1027 9 minutes 20C by Mike Novak, on Flickr

 

[Greyscale]

Enna Ultra-Lithagon 35/2.8 Exakta, Topcon RE Super, Arista EDU II Premium 100, orange filter, FA1027 9:30 by Mike Novak, on Flickr


Enna Ultra-Lithagon 35/2.8 Exakta, Topcon RE Super, Arista EDU II Premium 100, orange filter, FA1027 9:30 by Mike Novak, on Flickr


Enna Ultra-Lithagon 35/2.8 Exakta, Topcon RE Super, Arista EDU II Premium 100, orange filter, FA1027 9:30 by Mike Novak, on Flickr

 

[Greyscale]

Isco Gottingen Edixa-Isconar 135/4.5, Sony A7ii by Mike Novak, on Flickr


Wirgin Edixa Reflex with Isco Edixa-Isconar 100/4.5, Arista EDU II Premium 100, FA1027 9:30 by Mike Novak, on Flickr

 

[Greyscale]

Minolta X-600, MD 50/1.7, Kodak Technical Pan EI 25 13 minutes TD-3 developer. by Mike Novak, on Flickr


Minolta X-600, MD 50/1.7, Kodak Technical Pan EI 25 13 minutes TD-3 developer. by Mike Novak, on Flickr

 

[Greyscale]

Minolta X-600, Zeiss Biotar 58/2 prest, Kodak Pro Image 100 by Mike Novak, on Flickr


Minolta X-600, Zeiss Biotar 58/2 prest, Kodak Pro Image 100 by Mike Novak, on Flickr

 

[Greg Maslak]

Leica M4-2/90 Tele-Elmarit f2.8; T-Max 100/Rodinal(Blazinal)