Walker Evans question...

Contax for the subway series (1938-1941). The FSA project work and American Photographs (1938) were shot with an 8x10 and predate the subway photographs. There's an interview where he said he first photographed seriously right after he returned to NY from Paris in the late 20's. His first publication were three photos for Hart Crane's The Bridge (1930) (See frontispiece in this link: http://www.baumanrarebooks.com/rare-books/crane-hart-evans-walker/bridge/85962.aspx and the other two photos here: http://thispublicaddress.com/tPA1/2002/05/to-brooklyn-bridge.html). Not sure about the camera used, they do look LF though.

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Was it he who rigged a release cable to the camera in his coat so he could stealthily snap his pictures of the unsuspecting travelers?
 
I don't think he used 8x10 for his earlier work, more often it was 5x7, the more portable field format.

I saw a photo of his working camera case from when he was Fortune's photographer. Six cameras, two of each, Rolleiflex, RolleiWide, TeleRollei... all in a nice Halliburton.
 
Argh, I've had it all wrong. No wonder my results have been off. I wanted to inhabit his method, so I've been trying to hide an 8x10 in my coat.

:bang:
 
I always liked his LF and Rollei pictures best. I know that Roman Vishniac photographed the Warsaw Ghetto the way you suggest, with a hidden camera. I never really liked Evans' subway pictures. Looked like corpses to me.
 
Argh, I've had it all wrong. No wonder my results have been off. I wanted to inhabit his method, so I've been trying to hide an 8x10 in my coat.

:bang:

Exactly the situation that calls for a roomy kaftan à la Demis Roussos 😀 (Silver platforms optional.)

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