Olsen
Well-known
Leica users, potential and actual, seems to be fixed on Full Frame, these days. Fair enough. Let's have a look at what is possible with the M8 and the Tri Elmar 16-18-21 mm 4,0 - the most bashed lense on this forum. It turns out to be a something like 21-24-28 on a M8. That said, it is an excellent wide angle and you don't miss Full Frame for a minute.
Take a look at these examples:
1)
A typical Norwegian family lunch. Note the strategically placed Norwegian Goat Cheese. Americans; be glad that you only have to suffer the low dollar! The first scene with three flashes. One old Vivitar 283 on the camera with the reflector facing the white ceiling and two flashes, one Canon 550EX and another Vivitar 283 standing on sockets w/slaves on top of the fridge. These are also pointing towards the ceiling, but with and angle towards the camera. By this the scene does not look so flat, which is typical when using flash.
2)
The same scene without flash. Only natural light from a low Oslo sun in early February. Both with the WATE in 16 mm - that is 21 on the M8, position with the UV/IR filter duly attached.
3)
The children playing. And me crawling on the floor. Excuse the heywire angles and lines. Using a similar 3-flash set-up, a flash on the camera prohibited use of the excellent 'Frankenfinder' which has a libelle to control that the camera is absolutely right. Same type of lighting with two flashes reflected in the ceiling with an angle towards the camera and a flash on the camera, also reflected.
I am sure others here can show what is possible with the WATE on the M8 too. The M8 and the WATE is a very good digital wide angle combo. Anyone with examples?
Take a look at these examples:
1)
A typical Norwegian family lunch. Note the strategically placed Norwegian Goat Cheese. Americans; be glad that you only have to suffer the low dollar! The first scene with three flashes. One old Vivitar 283 on the camera with the reflector facing the white ceiling and two flashes, one Canon 550EX and another Vivitar 283 standing on sockets w/slaves on top of the fridge. These are also pointing towards the ceiling, but with and angle towards the camera. By this the scene does not look so flat, which is typical when using flash.
2)
The same scene without flash. Only natural light from a low Oslo sun in early February. Both with the WATE in 16 mm - that is 21 on the M8, position with the UV/IR filter duly attached.
3)
The children playing. And me crawling on the floor. Excuse the heywire angles and lines. Using a similar 3-flash set-up, a flash on the camera prohibited use of the excellent 'Frankenfinder' which has a libelle to control that the camera is absolutely right. Same type of lighting with two flashes reflected in the ceiling with an angle towards the camera and a flash on the camera, also reflected.
I am sure others here can show what is possible with the WATE on the M8 too. The M8 and the WATE is a very good digital wide angle combo. Anyone with examples?