What’s your secret...

Horatio

Masked photographer
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Joined
Jul 25, 2020
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304
for getting tack-sharp images? Having a good lens is the obvious answer. Anything else? Aperture sweet-spot? Maximum DOF? Specific film(s)?
 
Using my X-t3 and 35mm 1.4 at f2 or higher. Starting to not like the clinical images it produces and using film and my jupiter 8 a lot more but then all of my photos are of people so like a bit more glow.
 
Yum to secrets, we all have a few

I don’t think about gear anymore...

My secret is being fortunate enough in Finding, ‘seeing’, walking into, or running after
an atmospheric / emotionally compelling shot

Of course if I worked in a Studio it would be a different story.
 
What’s your secret...

OK since you asked. My secret is that I wear filly ladies knickers when no one is around. Just don't tell anyone.

Oh damn, wrong thread.
 
Avoid low quality scans. Dof scales assume quite small prints, so you may need to stop down further. Avoid picture taking while walking if you can. None of these are secrets, but they are less often mentioned than the common rules of thumb.
 
Handheld, longer lens (85mm), slow film, so slow shutter speed and relatively wide open, shopping bag in other hand.

loveplymouth-1-of-1.jpg
 
A tack sharp lens, perfect light, high resolution sensor (or film) and a subject that doesn't move.

Sounds boring. Sometimes it is. Take the picture and accept the gift.
 
A tack sharp lens, perfect light, high resolution sensor (or film) and a subject that doesn't move.

Sounds boring. Sometimes it is. Take the picture and accept the gift.

Point taken, but I think the founders of f64 would disagree! :D I like the subject of my images well defined. For now.
 
See also the thread "Sharpness is a Bourgois Concept" :)

If I want tack sharp, I do everything possible to ensure there's no movement of the image on the film plane*. Then I use an aperture which optimizes dof without introducing diffraction.

A certain amount of contrast can increase the perception of sharpness, as can well defined edges.

For digital, careful unsharp masking at both a fine and coarse level.

*no camera movement (no vibration so a tripod and/or fast shutter speed, and mirror lock up if an SLR), no subject movement (dead subjects don't move, but this is not recommended if your intended subject is still breathing :D), and a shorter focal length to help reduce relative movement.
 
Tripod. All of mine are kind of ostentatious, especially my MP tripod, so they're not much of a secret.
Phil Forrest
 
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