airfrogusmc
Veteran
I always liked Rodiinal 1:50 with t-max 400. The toe would straighten out some so there would be a lot of info in the toe (shadows) because it didn't behave like a traditional film curve. With the right paper like a Kodak Elite (silver heavy and no longer made) you could really pull out shadow detail.
With tri-x I always liked HC 110.
I would say find the right dev film combo for the way you want your final prints to look like. A film dev like Rodinal is a true acutance developer. The means it doesn't have softeners like fine grain dev have so the silver halide crystals have complete and sharp edges. That means you will have a lot of grain. If you are shooting large format it's not an issue. If you like grainy images with 35mm, which I do, it will surely give you that look. Not every dev is the right choice for a specific film. I never liked t max dev with t max films. Never cared for fine grain dev with tri x but that is personal. many like the combos that I don't.
With tri-x I always liked HC 110.
I would say find the right dev film combo for the way you want your final prints to look like. A film dev like Rodinal is a true acutance developer. The means it doesn't have softeners like fine grain dev have so the silver halide crystals have complete and sharp edges. That means you will have a lot of grain. If you are shooting large format it's not an issue. If you like grainy images with 35mm, which I do, it will surely give you that look. Not every dev is the right choice for a specific film. I never liked t max dev with t max films. Never cared for fine grain dev with tri x but that is personal. many like the combos that I don't.