I completely agree. However, what Leica started was creating a 35mm film camera system, which can keep up to a certain print size (the size an amateur would print maximal) with the 6x6 film but better portability. On the other hand, a Leica MP with silver 50mm Summilux pre-ASPH is of the same weight as a Rolleiflex 3.5E ... 😕FrankS said:Technically, the 35mm does have the same (or better quality) than a MF negative, but in order to make prints, the 35 will have to be enlarged to a greater degree (to make the same sized print) and this creates a deterioration of the final print image compared to a MF final print image. No one contact prints 35mm negs as the final print, it is meant to be enlarged, hence the difference in the degree of enlargement has to be considered in this argument. Just like with horsepower, you can't beat greater square/cubic inches in a motor. That's the last I'll say on this topic. 🙂
Same mass, very different form factor, size, and useage characteristics. And the Rollei lens is a f/3.5, not an f/1.4.maddoc said:On the other hand, a Leica MP with silver 50mm Summilux pre-ASPH is of the same weight as a Rolleiflex 3.5E ... 😕
erikhaugsby said:Same mass, very different form factor, size, and useage characteristics. And the Rollei lens is a f/3.5, not an f/1.4.
M. Valdemar said:He also settles the question of whether there was "radioactive glass" in the early collapsible Summicron. It's true.