backalley photo said:
zsnaps,
don't you think that we 'see' things when we are out shooting from our own unique perspective. and if so, wouldn't we then 'see' things with a certain angle or slice of vision, oh hell, you know what i mean!
i quite often find myself admiring very wide angle shots. i think because i don't normally see that way. i have had very wide angle lenses in the past and never used them. i don't see that way.
if this is making sense i'll be happy!
joe
Actually, I believe you probably do see that way. A person with normal vision sees everything in super wide angle without a frame.
When we see with photography in mind it is within the limitations of what equipment is available. Even if we don't own a particular piece, lens or camera, there are enough published samples so we can get the general sense of how it images and that gets stored in our subconscious, thus available for image evaluation. We usually compose mentally in rectangles and in 2 dimensions, even though the eyes don't see that way, because available cameras are made to produce pictures in rectangular formats and have only one lens. The photographer's eye is trained to the limitations of manufacturing technology, and so are the expectations of viewers.
Back when most photographers, amateur and professional, used cameras with fixed lenses, 40-some degrees was "normal" for most viewing. When manufacturers provided affordable systems that included lenses in multiple focal lengths, it stretched our optical possibilities. Some of us defaulted to wide or narrower angles of view than the previous standard of "normal," but most remain comfortable with 40+ degree rendition, a coverage that seems to work for many, most or all subjects, depending on the individual.
It has been interesting to watch the progress of expectations in photography. Over years wide angle effects have gone from the status of novelty to just another POV. I remember, for example, when wedding photographers would never use WA lenses, especially wider ones, because people would simply not accept the appearance of "distortion" with off-axis subjects. Now, some wide angle treatments are expected and enjoyed. Others, like fisheye views, were fads that are seldom seen these days.
I don't regard equipment limitations as a negative

, btw. Every art has some technical boundaries, and I like the discipline of working (or fooling around) therein. My problem is too much coffee, which gets me too wordy sometimes.