Sadly I agree, well to some extent anyway. Although my grounds for concern are diffferent. I often look through "fine art" photography magazines on the shelves and am more often than not shocked, not by the technique some much as by the subjects. Somehow or other these subjects are supposed to be "relevant" (Whatever that means - God spare me from strangling every 3rd rate aspiring artisit who uses that damn term.)
Photos of pieces of garbage laying on the pavement, or rusting metal in an old factory, or old people sitting in dirty unkempt rooms and such. Often accurately exposed with crisp color.
But the subjects! And the composition!
Often the difference between a good photo and an indifferent one is composition.
But many of these efforts (all published with a straight face by magazines looking for an audience of buyers) show little or no "flare" or artictic interpretation. They are just indifferent (in the sense of being boring) documentary photos with little artistic merit. The subject matter seems to have been chosen to shock as much as anything. Well I suppose in that case they are successful - but not in the manner intended by the "artist". But in that sense these photos also remind me of some other modern art. A pile of bricks in a rectangle on the floor of an otherwise empty room in an art gallery is one I recall. OK!!!!!!!!!!! now that shows artistic merit. (NOT)
So, not my taste at all.
While on the subject, here is one of mine that I think is not a bad effort at fine art mainly due to the composition. (An otherwise very boring subject.) But even though its mine, whenever I look at it I have to laugh.
It reminds me of a quote from Stewie in Family Guy....
"Oh, that is SO lame. Every hot girl who can aim a camera thinks she's a photographer. Oooh, you took a black and white picture of a lawn chair and its shadow and developed it at Save-On; you must be brooding and deep."
PS I am not a "hot girl" but I may be a "chimpanzee."