Digital Bessa Arch
Digital Bessa Arch
Well the Digital Bessa is an old dream, and Cosina is probably working on something like that. But Sony with the A7 and even all the Nex line had advanced so much that it is difficult to think what could be done with Cosina Technology that could surpass any of those models...
Cosina / Voightlander have never produced such a huge quantities as Sony or other brands, so their difference is that: A smaller market.
That could be a disadvantage for many, but it could be turned into an advantage: Sony have to satisfy a massive target, so their designs are focused to that mass market, and they cannot focus on specific professional needs, but on popular needs only.
For instance considering this, and the great ability of Cosina Voightlander in fine mechanics craftsmanship (which is being dissapearing in the plastic era of other brands) they could focus on products for specific markets that would surpass the available designs, and position the brand on top of the best.
I had come with one idea, which I am sure it is not the greatest idea, but it will give a view of how to produce a product that could compite with the main camera monsters and win them in certain field!
Here the proposal for a Digital Bessa PC (Perspective Correction) for Architectural Photography:
This is a professional camera for architecture. It will surpass all the existing camera models because of its unique characteristic: A Shifting sensor, to manipulate perspective, taking the best from the unique Wide Angle Professional Collection of Voightlander Lens in VM mount: The equipment will be completed with the 10mm the 12mm the 15mm and a 21mm lens.
It should be a sturdy metalic Bessa body with a digital viewfinder (no back LCD screen) and simple functions. No apps that make special effects nor photo style modes, nor stitching panoramas and so) Manual and programed modes. It would use an APS (24x16mm) sensor and VM mount. The characteristic that will make the diference would be the precision Shifting sensor in vertical axis and or horizontal axis. The mechanism should be mechanical as in a view camera. Since the sensor covers only a part of the full frame, there will be plenty of space for perspective correction.
A 24 MP sensor would be enough since all the resolution will be used in the final image after perspective correction.
This will be a camera that will not need to be produced in the quantities of Sony NEX and that could never be produced by Sony, but it could be produced by Voightlander to position the brand at the top of the available technology for professionals focused in Architectural Photography which is a smaller market.
Ernesto