J J Kapsberger
Well-known
Which films do you feel require development in Rodinal to look their best, all other things--agitation, temperature, etc.--being equal? I know it's entirely a subjective call, but I'm curious to hear your views.
Chuck Albertson
Well-known
I don't know that they're *required* to be developed in Rodinal, but I like what the stuff does with Delta 100 and Agfa's APX 100 (if you can still find it--I still have a stash of it in 120).
mr_phillip
Well-known
I agree on APX100 (it just shimmers in Rodinal!), and I also like APX400 rated at 200asa in it too.
pesphoto
Veteran
I love good old TriX in Rodinal.
nikon_sam
Shooter of Film...
The reason I bought some Rodinal was to develope some Scala that I have...
I too would like to know which other films will benefit...push/pull...special effects and things like that...I do want to use it for more than the Scala...
I too would like to know which other films will benefit...push/pull...special effects and things like that...I do want to use it for more than the Scala...
clarence
ダメ
For really sharp results, I use slow speed T-grain films like Delta and TMax.
Clarence
Clarence
BSchall
Established
I've developed Delta 100, TMax 100, Acros, Plus-X, FOMA 100 all with Rodinal. No faults with any of them. Basically, any slow film works well.
drewbarb
picnic like it's 1999
Developer/film combinations should be chosen more for the specific effects you are after, rather than a blind mating of one film with one dev. There are so many combinations out there, and the can do such different things- it can be fun to experiment and try out a few things. I keep notes for probably hundreds of combinations of film, E.I. and developers. Rodinal is a great developer for maximizing tonal range, especially with slower films. It yields excellent sharpness- and thus naturally shows slightly more pronounced grain than many other developers.It can also show really stellar edge effects. I use Rodinal much of the time with any film shot at or below it's ISO when I want the longest tonal range possible and the maximum sharpness I can get. Some folks like it for pushing and stand or semi-stand development. I have seen spectacular results with Tri-X pushed 3 to 5 stops (and more!) processed in Rodinal with stand development; but I generally choose something like Microphen for serious push-processing, and keep Rodinal for situations where I can lose some film speed. It's great for things like APX 100, Plus-X or FP4 shot between 50 to 100 E.I.; or Tri-X, HP5, or Neopan shot between 200 to 400 E.I.
R
rich815
Guest
None that require it per se but ones I like very much in Rodinal are Fuji Acros 100, Agfa APX100, Ilford PanF-50 and FP-4, Kodak Plus-X and at times Tri-X. Some say the latter is a classic combination and while I have gotten good results with it, for scanning my negs I find Tri-X in D-76 1-1 gives me better results. In general I do not usually use Rodinal with the faster films too much (over 200) except when shooting medium format negs.
For a link to about 70+ images I shot using Rodinal with various films go here:
http://www.flickr.com/search/?w=38698047@N00&q=Rodinal&m=tags
For a link to about 70+ images I shot using Rodinal with various films go here:
http://www.flickr.com/search/?w=38698047@N00&q=Rodinal&m=tags
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BudGreen
Established
I've been happy with Tri-X in Rodinal. I use it almost exclusively, at least in 35mm. I particularly like the gradation in the highlights.
In medium format I've had good luck using it with Pan-F+ at higher dilutions (1:100) to help tame the contrast.
Most of the images in my gallery are Tri-X/Rodinal.
In medium format I've had good luck using it with Pan-F+ at higher dilutions (1:100) to help tame the contrast.
Most of the images in my gallery are Tri-X/Rodinal.
Sisyphus
Sisyphus
All films benefit from rodinal, it just depends on how you want your final images to look.
mike goldberg
The Peaceful Pacific
Thanks so much for the info here. Rodinal has characteristically been a mystery for me. I've had a look at some of lovely images in flickr.
anglophone1
Well-known
Gosh, it's such a handy one shot developer, I just use it for all my remaining BW film work [mostly MF shot on Holgas or Fuji 6x9]
Have used it with Tri X, , Tmax 400, FP4 and also HIE and SFX.
Hard to find though..............................I get it from www.silverprint.co.uk in London.
Clive
Have used it with Tri X, , Tmax 400, FP4 and also HIE and SFX.
Hard to find though..............................I get it from www.silverprint.co.uk in London.
Clive
FPjohn
Well-known
"All film benefits from Rodinol" and have for over a hundred years.
I find HP5+ in Rodinol 1/50 to be very even tempered. A favourite. However expectations for scans or prints above 6x9 inches are not high. Most rffers would likely give it a pass.
Conventional wisdom for Rodinol is use with medium/low speed films.
I find HP5+ in Rodinol 1/50 to be very even tempered. A favourite. However expectations for scans or prints above 6x9 inches are not high. Most rffers would likely give it a pass.
Conventional wisdom for Rodinol is use with medium/low speed films.
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FPjohn
Well-known
Hello:
had'nt seen "roll the rock" comment prior to my post.
Those are fine images rich.
yours
Frank
had'nt seen "roll the rock" comment prior to my post.
Those are fine images rich.
yours
Frank
R
rich815
Guest
FPjohn said:Hello:
had'nt seen "roll the rock" comment prior to my post.
Those are fine images rich.
yours
Frank
Thanks John. I showed a load of images because this kind of thing is so subjective. For example, I have not been able to get what I like out of HP5+ and Rodinal. And although Tri-X in Rodinal can indeed look very nice for my purposes and for what I like it gives me more problems scanning than I get from Tri-X in D-76, as mentioned. But then again is that not the great thing about B&W films?
J J Kapsberger
Well-known
Thanks for the feedback, everyone. Gorgeous shots, Rich. The first time I noticed the term Rodinal was when looking at Bud Green's Flickr oeuvre. A fabulous look he’s achieved. I placed an order for Rodinal at Henry’s.com. It’ll come to me but with an extra charge put on. I don’t know exactly what the extra charge is in aid of. I guess by shelling out extra cash somehow I prevent a jetliner from being blown up by film developer known to contain hazardous ingredients.
le vrai rdu
Well-known
trix in rodinal 1+25 7 minutes 20 second of agitation per minutes
exemple
exemple


nikon_sam
Shooter of Film...
+ or -
+ or -
It will come out as a negative NOT a positive...
+ or -
Limpovitj said:Is that AGFA Scala, the b/w slide film? To the best of my knowledge that is a no-can-do. Isn't Scala supposed to be developed in the special Scala process only?
It will come out as a negative NOT a positive...
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