Which Fixed Lens Camera has a Great Lens?

I know it is not a true rangefinder but my vote for sharpest fixed focal length goes to the Rollei 35S with the 40mm Sonnar f2.8.

Wayne
 
Folding Contessa

Foca Sport II

Any Rolleiflex or Rolleicord

Any folding Retina

Any prewar or postwar Ikonta or Super Ikonta with a Tessar

Medalist I and II

Super Nettel (Triotar or Tessar)

Any Voigtlander Vito with the Skopar or Color-Sokpar or Ultron (Vito III)

Contaflex I with Tessar

Any Rollei 35 with a Tessar or Sonnar

... plus many other cameras, I'm sure
 
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Why a fixed lens? Put one lens on your Leica and leave the rest at home.

If you need more dissapline, a Rollie 35 with any 40mm is great and smaller.
 
Ronald M said:
Why a fixed lens? Put one lens on your Leica and leave the rest at home.

If you need more dissapline, a Rollie 35 with any 40mm is great and smaller.

Why not fixed lens? They're cheap, compact, usually well built cameras. There are some places I'd rather take a Canonet than my M2.

Oh yeah, I'm looking for the "right" fixed lens because I'm planning on going to Coachella Music and Arts Festival in Indio, Ca in May to shoot pictures of the people. They don't allow the use of any sort of "professional" camera inside the festival grounds. Just what is their definition of a "professional" camera, you ask? Any camera with removable lenses. That means no Leica for me...
 
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I think the best lens I have on a fixed-lens camera is the 38mm Hexanon on my Konica C35 Auto. It's simply an amazingly good lens for black-and-white film. I can't tell you how it does with color because I've never shot any in the camera, which is a first for me because I'm a die-hard slide shooter.

Hmmm, I sense a project for this weekend coming on....
 
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Doug: It's very good with color, trust me. For ease of testing, you might break down and shoot some Reala in it, but you feel safe with chrome, I assure you. You might want to bracket a bit, under-exposing by say 1/3 stop to see how the slight underexposure affects things.

Earl
 
How about the sharpest lenses among the subcompact clones (e.g. vivitar es, minolta 7sII, konica s3 and any other similar cameras)? Or are they all the same?
 
I have experience with three fixed-lens cameras:

Fujica 35-SE
Agfa Karat IV
Kodak Retina IIc

The Fujica has a nice, fast 45mm lens that's nice and sharp stopped down a bit, and quite pleasantly sharp in the center even wide open. A little softer around the edges, but sometimes that's what you're going for. It's a wonderfully contrasty lens, and it's nice to take advantage of this.

The Karat IV is a bit messed up, as it sat idle in our basement for almost 18 years, but I've restored it to more or less functional shape, with the RF calibrated pretty close to dead on. I'd have to check it against another camera to tell you just how far off it is, but the two rolls I've successfully shot with it were tack-sharp when I had it stopped down -- focusing was too inaccurate to gauge sharpness wide open.

The Retina...well, not a lot needs to be said for it. It's pretty well-represented here, and with a folding cover for the lens, most of them are in excellent condition. The Xenon on the IIc is almost bitingly sharp -- I do prefer, to an extent, the Solinar on the Karat, but if you want sharpness, the 50mm Xenon on the IIc is excellent.
 
Bronica VZ and VX!
Well, I don't know anything about them other than they are 35mm rangefinders from the eighties, one with a 50mm lens. I just assume they are sharp. If anyone has a picture (maybe from the Bronica history book), please share!
Regarding my own experince, I am allways surprised how sharp the pictures from my Minolta AF-C come out. Just got a little Voigtländer VF 101 with a stuck rangefinder and a hopefully sharp 40mm Skopar. Will get back when, or if, it works.
Jacob
 
Brian Sweeney said:
Konica S2, Wide-Open.

Pretty impressive for a $25 camera.

Nice pictures, Brian. I'm sitting at home working on a pair of Sears 35|RF rangefinders, they were essentially black versions of the Ricoh 500G. These seem ok, but the meters don't work and of course, the foam is all gunky. On most of your compact 35's, if the meter doesn't work, the camera is toast - but on the Ricoh/Sears, there is also manual override for both aperture and shutter speed. Might put a roll through one of them today, we'll see.

Why am I at home today? Water heater went out. Sigh.

Best Regards,

Bill Mattocks
 
Thankyou, Bill.

That's a cold slap in the face! We have a well. When the water heater went out, it was a close call. COLD shower beats no shower.
 
ush said:
i don't really know if they fit in your categories, but ricoh's GR (1,1s,1v,10 not to mention this gr21) have really nice and wide lens.
gr21.jpg

btw, if someone got a cheap GRxx or maybe a R1 to sell, do say so =)
I'll second the Ricoh GR series (I have a GR1, which I really need to finally send out to have fixed), but I didn't include it on my shortlist here since it's not a RF. Great liitle (truly little) camera.

- Barrett
 
Well, to open up pandora's box, you must include medium and large format of course.

MF: Plaubel Makina with its superb 80/2.8, The "Stomp Tokyo" Fuji's -- GW690's and GSW690's, and of course all the Rollei TLR's are fixed lens, though not rangefinders. The Soviet Iskra has a very nice lens.

LF: Not so much fixed lens, but most LF users only use one lens anyway. The Linhof field cameras have rangefinders, as do the Alpa and Cambo super wide cameras. Their 38mm biogon and the Schneider APO-Helvetar are some serious lenses...
 
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