agoglanian
Reconnected.
I’ve tried a lot of Nikon film SLRs over the years and the one I always come back to is the F with the plain prism. It’s a classic and I love mine.
I’ve tried a lot of Nikon film SLRs over the years and the one I always come back to is the F with the plain prism. It’s a classic and I love mine.
Every repair tech I've ever known said the F2 is the best built 35 slr ever built. I'd agree. I had two with motors and put thousands of rolls through each under hard commercial use. The only repair was a rewind gear in one motor had to be replaced. It only effected the motorized rewind. I shipped it to NPS and had it back in 3 days including shipping. I still have and use one of them along with my F, FE and 4 M Leicas.
I had two F3 bodies later on and liked them but still preferred the F2's although the F3's were fine. I had a motor on one and the second body was an F3P. F3P bodies initially were sold through NPS to pro customers. That's how I got mine. The main difference was the titanium prism, raised shutter speed dial to make it easier to use with gloves and weather sealed better than the regular body. There may have been other differences but that all I remember.
What sort of glass are you going to use on the Nikon? What are you going to shoot?
B2 (;->
Interesting mix of glass. I have to say the 28/2.8 AIs is a fun lens that kept sneaking into my camera bag for my SLR body, even though I use RF for 50 and wider. I could see match your 28 with a 105/2.8 Micro MF Nikkor. Use your leica for the 35 and 50, perhaps carry the 17 too. I had a CV 15 first gen LTM that was 50x it's weight in fun.
I don't think you will go that wrong with any of your choice. I'm more of a manual sort, had an FM for a bit some years back and it worked well. I'd rather have 100% framing so I moved elsewhere in the family.
Sounds like a fun approach.
B2 (;->