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Dad Photographer
If you had taken the same shots with a SWC, they may come out better looking.
Well done.
Well done.
If you had taken the same shots with a SWC, they may come out better looking.
Well done.
If you had taken the same shots with a SWC, they may come out better looking.
Well done.
No 'may' about it!! Definitely better.
I want to put this into perspective. I took this shot with a $5 Argus RF camera:
It uses 35mm film. The point of 120 film is that, all things equal, it way outperforms 35. So when I get much much better results from a 50 year old $5 camera than a new $430 120 film camera, well, something is not right.
I just don't believe the lens is very good. The shutter is claro bad but the lens is also bad.
Personally I can't imagine anyone in their right mind buying this camera expecting a sharp lens.
its a LOMO - that means soft images
Its all about the LOMO experience and shooting an ultra wide 120 camera that does not cost $2000 - like the the Hassy SWC
I suspect the reverse is also true,
that a true LOMO fanatic would complain
about the damned reality bending sharpness of the latest ASPH Leica lens.
Personally I can't imagine anyone in their right mind buying this camera expecting a sharp lens.
its a LOMO - that means soft images
Its all about the LOMO experience and shooting an ultra wide 120 camera that does not cost $2000 - like the the Hassy SWC
I suspect the reverse is also true,
that a true LOMO fanatic would complain
about the damned reality bending sharpness of the latest ASPH Leica lens.
Yeah, but the cable release would need use of a tripod. These were mostly daytime active shots at an event .And it would be interesting to see if using the cable release would cause the camera to shake, as it still has to fight through that same shutter release.
p.s. I would be very interested to see the results from the 800 film, as that would facilitate the use of higher shutter speeds.
Personally I can't imagine anyone in their right mind buying this camera expecting a sharp lens.
its a LOMO - that means soft images
Its all about the LOMO experience and shooting an ultra wide 120 camera that does not cost $2000 - like the the Hassy SWC
I suspect the reverse is also true,
that a true LOMO fanatic would complain
about the damned reality bending sharpness of the latest ASPH Leica lens.
Of course, but why using a 120 film then, which is intended to achieve maximum detail and sharpness?
Well it's on its way to Colton. Colton, you should get it on Tuesday.
My take away - use at least iso 400 film. This camera does not do well with slower film unless you happen to have a tripod and cable release handy. Plus the faster film will help get smaller apertures where the lens performs less badly.
I'm going to post to this thread the other shots that I took at the same time with my other Lomo products - the Minitar 32mm lens and the Horizon Perfekt pano camera. And see if I am happy with the results of any of these products. As I mentioned earlier, I enjoyed using the two latter, but did not like using the LCA 120 at all. An unfortunate haptic experience combined with unsatisfying results.
I will re-iterate that I am not anti- Lomo. They have with out doubt furthered the cause of film photography. All you need for proof of this is check their website and online magazine. They promote film photography no matter what gear you use. No-one else does that, no-one.
Good luck Colton!
My 2 cents: the poor shutter is why they included a cable release with the camera. I highly recommend using it. I can't really hold the camera that still without using the cable release.