Mablo
Well-known
you wont miss that half stop, i love the cv 35/2.5 its on my m4-p most days now.
M4-P and cv 35/2.5 are indeed like made for each other. An enjoyable set up to use.
you wont miss that half stop, i love the cv 35/2.5 its on my m4-p most days now.
I don't get the point - why not use the 35mm Nokton at f2 if you want a CV 35/2 ? As I understand it (and I don't have this lens) that stopping down mitigates the special effects that occur when the lens is wide open. It's a small lens and nicely made (assuming its made to the same standards as my 40/1.4). I'd settle for that quite happily.
I don't get the point - why not use the 35mm Nokton at f2 if you want a CV 35/2 ?
Keep the size and build quality of 35/1.4 Nokton, but fix the distortion and I would buy a f2 version immediately...
Yeah, the Canon 35/2 looks nice too, last week I was tempted to buy it, but finaly I will get the 35/2.5 PII. I can live with the 2.5, i can afford a Summicron.
About the biogon, I've never handle one, it is as big as it looks?
Focus shift, as I have read it defined, is due to the optical properties of the lens.
If a lens with such optics appears to or does not appear to 'focus shift' when testing, that is due to the calibration between the lens and rangefinder, and whether the focus shift that occurs due to the optics is within the depth of field and/or acceptable to how big someone is going to enlarge something.
I doubt they changed the optics on the later ones, but they may have improved the tolerance, or the couple that were tried happened to have the right calibration for your rangefinder setting.
Edit: Someone should make a focus shift sticky so that people understand what is occurring, and not starting myths like the chrome 35mm summilux asph or other lenses don't focus shift. For example, I had a chrome one and black one at the same time. They both shifted focus. Luckily, both were calibrated such that at f1.4, the object of focus was at one edge of depth of field, and as the aperture was closed the focus shift occurred within the expanding depth of field. Also, if one looks at how much shift occurs (rather small) with a 35mm, once your subject is more than a meter away it is all moot.
If you really care, and get a lens that is not focusing correctly, put a ground glass on the film rail, focus on an object at the distance where you are seeing the problem, change the aperture, and watch what happens with a loupe.
I'm sure if CV would make a CV 35/2 it would still be considered by many to be worse than a > 20 year old Leica lens, unless it was priced higher.
The CV 35/2.5 and 1.4 are excellent. And then there is also the very good 35/1.7. Many other highly regarded lenses have similar barrel distortion (for example CV 35/1.2, Nikkor 35/1.8, UC 35/2); others similar focus shift (pre-asph Summilux 35, 50 and 75) and nobody ever talks about it. Half a stop difference will make no practical difference in your photography.
The biggest "issue" of CV lenses is the brand. As a 22 year old student with limited funds, why worry ?
Roland.