Samuel D
Established
What is art anyway?Because they are being manufactured faster than they can be used up. Simple!! Any other questions?
What is art anyway?Because they are being manufactured faster than they can be used up. Simple!! Any other questions?
I've seen 135-12 in Japan in the 1990s - I don't know whether it was part of the half-format niche that was rather peculiar to Japan, or whether that came along the fast turnaround instant lab culture of the nineties (where any Tokyo suburb seemed cluttered with more 1/2 hour turnaround minilabs than all Germany).
I always buy 24 exp rolls instead of 36 exp rolls. The main reason is due to my height: I'm only 5'3" and when I carry the developed negatives to the dryer at the darkroom I use, they drag on the floor if I use a 36 exp roll. This is a no-no. When I use a 24 exp roll, I can hold one end of the film in my hand with my arm stretched above my head, and the wet, freshly developed negatives won't touch the floor when I walk over to the dryer.
When I use a 24 exp roll, I can hold one end of the film in my hand with my arm stretched above my head, and the wet, freshly developed negatives won't touch the floor when I walk over to the dryer.
I prefer 24 too, easier to hang for drying and quicker out of the camera. I hope the EPA doesn't outlaw 24 exposures.
They wanted the choice of number of exposures to match the aspect ratio - 2:3.I never understood why they changed from 20 exposures to 24. If a 20 exposure roll is good because it's shorter, then why make it longer?
27 wasn't it?and what's with the number of exposures in disposable cameras ; )
My local mom & pop camera shop told me I was their only 135 format SLR / RF customer. All other film they process is from disposable cameras.
I definitely remember 12 shot rolls in the mid 2000s. I used them for quickie test rolls when getting the GIII and Mamiya fixed up and ready.
Exactly.
24 exp rolls are a hold over from the old days of getting prints (double sets!) with your developed film.