Hmm. No one's actually answered
WHY – just statements of what they
DO. "To record...", "to document...", "to see happy...", "to find out what something will look like photographed..." – but for what reasons?
What I do:
I photograph to explore what we humans do and how we react to the world we live in, and aim I to publicise my photographic explorations in exhibitions, talks, and books and magazines.
Why:
I hope to achieve a better understanding of human behaviour for myself and to communicate some of what I discover to others, as both a celebration and warning of our activity.
My photographic projects have explored junk food, technological obsolescence, our urge to collect things, our fear of death, and how we alter the environment of our cities over the centuries.
My current photographic project takes as its start the beginnings of broadcast radio on Christmas Eve 1906 in Brant Rock, Massachusetts, follows this radio wave as it traverses time and space over the past century and encounters tens of thousands of planets – many Earthlike – orbiting distant stars. I know what the project is about, but I'll leave it unsaid for now for you to decide... (We have discovered nearly 400 so-called "exoplanets" – a handful of which are Earthlike – to add to the mere eight of our solar system. The science of exoplanetology is still in its infancy: we now think our Milky Way galaxy alone contains 40 billion Earthlike planets. That 1906 radio broadcast will travel onwards until the universe dies. If we were on one of these planets – perhaps on a Christmas Eve – we would hear a scratchy violin playing "Silent Night".)
I've shown this before on RFF, but here's a selection from the 100 or so photos from my project "Insecta":
The statement reads: "The urge for humans to collect and classify is instinctive – a need to arrange the world around us into patterns, forming order from chaos. "Insecta" explores the function of museums and collections through natural history, examining photography’s role in framing memory, the pursuit of knowledge and the fallibility of conservation. The project is a
memento mori, reflecting on the life and death of knowledge through fragments of ruined and forgotten collections."