My Nikon 50/1.2 AIs has 9 aperture blades, the Ai version had 7. Most of my RF lenses with manual aperture have more.
Exactly.Lack of demand. Engineering expense, retooling.
I agree that this is a definite use for it ... action photography. I would imagine the top motosport photographers would have a very good understanding of shutter speed and what it can mean to the end result.Shooting action/sports or panning shots then shutter priority can be useful. Esp. when you want a specific speed to balance stopping action while still retaining some motion blur. But really for a lot of that type of shooting a rangefinder is not the best choice anyway due to the more limited focal length options.
Word on the street is that there will be an M-f which will keep the most recent 36 images encrypted on the SD card for seven days, and only after the seventh day can you view them.Remember the Leica M-D? They removed the LCD and a bunch of buttons and people loved it because purity.
The Leica M is a rangefinder camera, not a "mirrorless" camera. The Leica SL, SL2, CL, et all, are "mirrorless" cameras by concept and implementation, and have all the AE aperture automation, the program and shutter priority modes, that you are seeking. The M does not, nor does it need any of that stuff.I obviously get why not it is not possible on film Ms, but why not for digital Ms to add a program mode or (modes), a shutter-speed priority mode, and the ability to set the aperture via the digital menus instead of the lens? Would seem to be relatively easy with a standard electronic connection between the body and the lens to provide the power to stop the lens down as necessary (you could even use a mechanical / electronic hybrid system to accomplish this as well). You could just have an "AE" setting on the lens for these modes. And then you could still use the "AE" lenses on film and older digital bodies but you would have to select the aperture manually, as normal. It has never made much sense to me that Leica builds an expensive mirrorless camera that lacks many of pro features and menu programming that every other mirrorless camera has today.
I get it, but the latest digital Leica Ms have virtually nothing in common with any film M, except for the mechanical rangefinder, the general shape and size of the body, and the lens mount. I am just saying, why not just go all the way and make something loosely based on the Leica M philosophy (like the M10/M11) but with full capabilities, with the option of having a "nostalgia" mode if that is what floats people's boats. But I think the point is very good -- why does anyone even use the latest digital Ms given the cheaper alternatives that can all equally use Leica M glass as well?The Leica M is a rangefinder camera, not a "mirrorless" camera. The Leica SL, SL2, CL, et all, are "mirrorless" cameras by concept and implementation, and have all the AE aperture automation, the program and shutter priority modes, that you are seeking. The M does not, nor does it need any of that stuff.
Let me turn the question around at you: Why must all cameras be the same thing? Why cannot some cameras have fewer options and convenience gizmos when there are other choices in cameras that have more, and from the same manufacturer? The simple design of the Leica M and its limited "features", through all the many variations of the M since 1954, presents an archetype of photographic capability and usage that has seen unparalleled success in the hands of thousands of professional and amateur photographers. Why change that? All of those users have other options as well ... why do they continue to choose the Leica M anyway?
G
The current system comparing the recorded data vs. an external light meter actually works pretty well. It won't give the exact aperture but it is typically pretty close. Filters throw it off of course.Having electronic contacts between the lens and camera so the camera can record shooting aperture in EXIF would be nice, but I wouldn't want to pay extra for that.
Did the M11 get rid of the classic metering option?The Leica M11 is a mirrorless camera implemented with an attached viewfinder/rangefinder. Leica went the direction of using the main sensor for a light meter. Shutter operation is just like any other mirrorless camera. The M240 and M10 series all have liveview, again features of a mirrorless camera. The M9 and M Monochrom require the use of the rangefinder to focus, the others can be focused by liveview or the rangefinder. The M8, M9, and M Monochrom are digital cameras that rely on the rangefinder coupling for focus, and viewfinder for framing. The others- can be used as true mirrorless cameras.
Leica is a luxury-products company, maybe as a matter of survival. And the M-system is their most "boutique" product line. It exists because there is a small but passionate audience for such products. Thanks to great marketing, there is a sense of heritage, even if the camera, the company, and the people who make it happen, are all completely different from those of 1960. This is not a matter of deception: Fans genuinely relish that sense of connection, even if some of it is manufactured.I get it, but the latest digital Leica Ms have virtually nothing in common with any film M, except for the mechanical rangefinder, the general shape and size of the body, and the lens mount. I am just saying, why not just go all the way and make something loosely based on the Leica M philosophy (like the M10/M11) but with full capabilities, with the option of having a "nostalgia" mode if that is what floats people's boats. But I think the point is very good -- why does anyone even use the latest digital Ms given the cheaper alternatives that can all equally use Leica M glass as well?
That is a well reasoned explanation. It sure beats the stuff you usually hear. I have no idea how many aperture blades my 50mm lens has.Leica is a luxury-products company, maybe as a matter of survival. And the M-system is their most "boutique" product line. It exists because there is a small but passionate audience for such products. Thanks to great marketing, there is a sense of heritage, even if the camera, the company, and the people who make it happen, are all completely different from those of 1960. This is not a matter of deception: Fans genuinely relish that sense of connection, even if some of it is manufactured.
Yes, they went totally mirrorless. The sensor is always on, the shutter is open just to provide metering.Did the M11 get rid of the classic metering option?