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Well-known
...My wife has observed that people seem increasingly concerned with conspicuous appearance, which fits in with the commodification of life mentioned in the article. Buy this or that product, associate with this or that mantra, and bask in the halo effect...Or from a gallery's perspective: promote the work of artists who are at the forefront of popular opinion, and the sales will follow.
... his politics seem sound, but the art? ... I've seen better at my daughter's foundation year exhibition
My reaction was similar to bobbyrab's, i.e., I like Schmidt's previous work on Berlin more. And I like the build-up of the impact of those earlier books. But, then, I became interested in who has won previous Pictet prizes and the reasons they won....Although this particular project left me somewhat underwhelmed I did think some of his earlier works were far more interesting, particularly the way he documented Berlin...He's as good an example as i've seen of where this slightly disengaged analytical aesthetic that is contemporary art photography, comes from, and it does seem to be predominantly German in origin.
On this Pictet prize web page, you can see the themes of the competions of the last five years. If you click on one of the various themes (Consumption - Power - Growth - Earth - Water) you can see the portfolio submitted by the winner and the shortlist winners for each year; you can also read the artist's statement by each of the photographers, as well as lists of the jury and the nominators. The prize is 100,000 Swiss francs.
I haven't looked at enough of these portfolios to reach any conclusions, but I find it interesting to see what photographers submit for a competition at this level. I'd be interested in your reactions.
MITCH ALLAND/Potomac, MD
Nightshots from Tristes Tropiques
Download link for PDF file of 16-shot portfolio