I love both, but I find the KX easier to focus and smoother in operation.
Hmm, my K2 is definitely smoother than the MX. Guess that's the cost of downsizing the body. I wanted a KX but this K2 showed up at a price I couldn't refuse.
If i remember correctly, the winding stroke of the Minolta XD-7 was rediculously short too.
Hmm, my K2 is definitely smoother than the MX. Guess that's the cost of downsizing the body. I wanted a KX but this K2 showed up at a price I couldn't refuse.
Well, it's right next to the marking for the highest shutter speed, same as on Leica M digitals...The awkward placement of " <AUTOMATIC" is a bit surprising. It seems uncharacteristic of Pentax and of Japanese aesthetics. It's strange that the camera was released this way.
The awkward placement of " <AUTOMATIC" is a bit surprising. It seems uncharacteristic of Pentax and of Japanese aesthetics. It's strange that the camera was released this way.
If only all the Pentax film cameras’ film advance were as smooth as the SV’s. The latter is buttery smooth.
I always wonder a bit when people start talking about the 'smoothness' of various 40+ year old cameras... Have you handled multiple examples? Has your example been well cared for? Has it been regularly used? Has it been serviced? Has it been sitting on the shelf for 30 years?
My serviced MX is smooth as can be. My unserviced but 'clean' KX was pretty rough. Likewise my Spotmatic F. I have serviced and unserviced examples of the OM1n, and the difference is remarkable.
Point being, there seem to be a lot of people commenting on the interwebs who have only tried one body, of unknown provenance and with no service history (not saying everyone here is doing that)...
Anyway, back on topic. I was blown away when I got my F2. I believe it has a 120° str
Swoon 🙂 the most enjoyable advance I've used by a significant margin. The joys of not having a ratchet, among other things...