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Dad Photographer
How would you compare this camera with a Leica M8?
How would you compare this camera with a Leica M8?
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The sensor in the Fuji X Pro 1 is superior to any sensor Leica has ever shown, and it is generally speaking one of the top sensors out there today. So this comment is absolutely crazy.
The sensor in the X PRO 1 is VERY very good.
So you would say that because the sensor is better that the camera is better overall or are there other factors to consider here?
Is the Fuji X Pro 1 overall a better digital camera than the M8? This is what I want to know from people who have used both cameras.
I was more referring to the title of this thread.
Fuji X Pro 1. Is it that much better than the M8?
It's also important to think of "image quality" in more than one dimension. There's DR, color fidelity, high ISO noise (chroma, luminance, random, pattern), resolution, performance with wide lenses...
Saying one camera is better than another in general -- rather than under a specific set of conditions -- is usually a useless thing to do, and muddies rather than clarifies the discussion. For example, with the X-Pro1 I find myself shooting at ISO 3200 a lot of the time. That is not a comparison that would be favorable to the M9. On the other hand, I mount both native and ZM lenses on the camera, and it's a certainty that (except in the center of the field) the M9 would provide higher resolution with the non-native lenses, at least at moderate ISO settings.
RPP64 version 4.6.0 is released, no longer beta.
I still see some edge artifacts but they've been largely removed and overall this is the best RAW converter I've used for X-P1 files. I am optimistic that RAW conversion for this camera will continue to improve.
RPP64 version 4.6.0 is released, no longer beta.
I still see some edge artifacts but they've been largely removed and overall this is the best RAW converter I've used for X-P1 files. I am optimistic that RAW conversion for this camera will continue to improve.
In fact, the Fuji bleeds everywhere. Look at the transition along the perpendicular axis of the battery. On the Fuji the orange line distinctly changes from orange to grey. Not on the Sony sensor. The Fuji sensor has proximity issues.
But that's the way it has always been with Fuji sensors. The S5 was designed to smooth skin tones, and for all the low-light performance of the SuperCD series, they achieved that with some smearing effects, just as seen here.
Sounds like u picked up the Fuji. Will be interesting to hear your thoughts about it after checking it out....
Cheers
Gary
Though this is a little old, and people have talked generally about the demosaicing algorithm, here's a blog post that goes into detail about the X-PRO's sensor and the challenges it offers.
If you go back to the studio scene and switch from RAW to JPEG, the color smearing vanishes. To me, that says the Adobe RAW converter is at fault (rather than the underlying sensor). That being said, "the camera will be better in the future," is a very lame argument. The X-PRO currently has problems with color smearing, but that will probably not always be the case.
. I have the grip and that really helps the handling as well, IMO.
I welcome any suggestions on solving this with diopters, or anything else.
Next I may try to get the M Adapter.